We share with you our particular selection of exhibitions in Madrid. They are not all of them, but let’s take the lead from here.

“Lujo y luto”, by Estefanía Martín Sáenz, at the ABC Museum of Illustration.

Within the program "Connections" started seven years ago by the museum in collaboration with the Santander Foundation, a guest artist is invited to develop a creative project inspired by two works. On this occasion, the chosen pieces were a still life by Juan de Arellano from the Banco Santander collection and a cover of "Blanco y Negro" by Manuel Escudero, belonging to the museum's collection. Starting from these two works, Estefanía Martín has tackled a proposal that plays with the concepts that give the title to the exhibition. Luxury and mourning live together in compositions with oriental reminiscences and works that represent very well her style, with floral motifs, embroidery and fabrics. Until September 30th.

"Victor Vasarely. The birth of Op Art ", at the Thyssen-Bornemisza Museum.

This exhibition suggests a journey through the career of this creator of Hungarian origin that settled in Paris, from his beginnings until the end of his career. A paradigmatic figure when defining this style that, although ephemeral, has enriched the postmodern artistic movements of the first half of the 20th century. Until September 9th. More information here

Victor Vasarely, Amir "(Rima)", 1953, Vasarely Múzeum, Budapest

"Eusebio Sempere" at the Reina Sofia Museum

This retrospective dedicated to Sempere approaches the career of this artist whose work shows connections with kinetic art, a movement in full bloom in Paris in the mid-50s, a time that marked his departure as a recognised artist. From that moment on, Sempere began his international projection, with exhibitions inside and outside the country that consolidate it as a reference creator of national geometric art. Until September 17th.

Eusebio Sempere, “El reloj”, 1966.

"In an instant, Morocco", in the Arab House

Within the program of PhotoEspaña 2018, Casa Árabe organises this exhibition with works by nine Moroccan photographers who portray the daily reality of this country offering a vision of its society, customs and day to day life unknown for many. An invitation to get to know more closely the people of the neighbouring country and get closer to the pulse of its contemporary production. Until September 23rd.

M’hamed Kilito. Destinies, 2017 © M’hamed Kilito

"Views of Rome", by Henryk Dąbrowski and the Lázaro Collection, at the Lázaro Galdiano Museum

This exhibition proposes a dialogue between the works of Henryk Dąbrowski on the city of Rome, a renowned Polish architect, and the pieces that make up the collection Lázaro Galdiano, who was also passionate about this Italian city. The exhibition has been organised in collaboration with the Polish Institute of Culture and the Embassy of Poland and was curated by Carmen Espinosa, chief curator of the museum. Until September 9th.

"Auschwitz. Not a long time ago. Not far away ", Arte Canal Exhibition Center of Madrid.

Although it is hard to face this period of our recent history turned into a tragedy of unimaginable magnitudes, it is necessary to remember not to forget, not to repeat in the future, the mistakes of the past. The exhibition is organised by the State Museum of Auschwitz-Birkenau and arrives in Spain in collaboration with the company Musealia. Our country is the first stop of this macro exhibition that will travel to thirteen other European and North American cities. Until October 7th.

Pawel Sawicki © Auschwitz-Birkenau State Museum - Musealia

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. PERFORMANCE CYCLE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: ALTA FACTURA. BY COLECTIVO LA BURRA NEGRA

March 4 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.

"Discipline for Power.” Performance by La Burra Negra for Displacement of the Congress of Deputies by Roger Bernat. 2025.

Alta Factura subverts the conventional structure of the fashion runway to foreground the often-invisible processes that underpin artistic production. Through a series of conceptual textile works, the performance draws attention to the discipline of craft and the artist’s vulnerability, ultimately revealing those seams typically consigned to the margins, behind the scenes.

Colectivo La Burra Negra.

ABOUT EL COLECTIVO LA BURRA NEGRA

La Burra Negra is a nomadic performance art collective based in Málaga, founded in 2024 following its first residency in Totalán. The group is self-managed by Ascensión Soto Fernández, Gabriela Feldman de la Rocha, Sasha Camila Falcke, Sara Gema Domínguez Castillo, Sofía Barco Sánchez, and Regina Lagos González—six artists from diverse backgrounds and trajectories who met at the Hospital de Artistas at La Juan Gallery.

The collective brings together practitioners working across jewelry, painting, the performing arts, music, dance, cultural mediation, and arts management. Its activities include an annual residency in Totalán, the production of performative works, cultural mediation initiatives, and site-responsive interventions.

Since its inception, the collective has participated in the Periscopio series at La Térmica; presented A granel at the MVA in Málaga; carried out a number of actions in Totalán—the most recent during its second annual residency—and contributed its own proposals to the performance Displacement of the Congress of Deputies by Roger Bernat in Madrid.

At the core of La Burra Negra lies a commitment to collective creation and the exchange of knowledge. United in their effort to experiment with and disseminate performance art, the group explores the invisible dimensions of artistic labor—its temporalities, efforts, and relational dynamics, which so often remain unseen—as a form of critical affirmation.

Their practice emerges from dialogue and shared reflection, in the pursuit of decentralized spaces where art can be experienced and its processes made visible. Each residency and each action becomes an attempt to inhabit creation collectively, challenging conditions of precarity while fostering networks of care and collaboration that sustain both their own practice and that of those around them.