Art Madrid, which will be held from February 23 to 27 at the Galería de Cristal del Palacio de Cibeles, has selected 5 works that will be donated to the Museo de Arte Contemporáneo (MMAC), which depends on the Madrid City Council. The selected pieces are: 'Isabel II' by Kepa Garraza; 'Humo VI' by Isabel Alonso Vega; 'Palacio de Cristal' and 'Madrid, Gran Vía, 2018' by Leticia Felgueroso; and 'Flexia 9' by Toño Barreiro. The four Spanish artists have an already consolidated career within the contemporary art scene in our country and with an important international projection. The works are currently on display at the fair and once it is over, this Sunday, February 27, they will be moved to the museum so that they can be admired by all visitors.

Kepa Garraza

Isabel II, 2021

Carbón comprimido sobre papel

100 x 75cm

Las piezas elegidas son:

"Isabel II' by Kepa Garraza made in compressed charcoal on paper in 2021. The works of Kepa Garraza (Berango, Vizcaya, 1979) reflect on the nature of the images we consume every day. Through fictitious scenarios where a parallel reality is recreated, he invites the viewer to question issues related to identity and the manipulation of information. His work questions official discourses, and questions the processes of institutional legitimization. His ironic and acid look offers alternatives to the reality we know and proposes a healthy exercise: to always doubt the official version. This piece can be seen at Victor Lope Contemporary Art Gallery.

Isabel Alonso Vega

Humo VI, 2018

Fumes and methacrylate

50 x 50cm

'Humo VI', exhibited at Hispánica Contemporánea gallery, is Isabel Alonso Vega's sculpture created with smoke and methacrylate in 2018. The works of Isabel Alonso (Madrid, 1968) speak of the intangible, of that which is there but can hardly be seen, it is almost impossible to touch, let alone catch. The intangible becomes present and presents itself enclosed, but not immobile, since the forms have their own life and change according to the lighting and the perspective from where you look at them.

Leticia Felgueroso

Madrid, Gran Vía 2018, 2018

Fotografía y gelatina de plata sobre papel RC

150 x 205cm

The photographs 'Palacio de Cristal' and 'Madrid, Gran Vía 2018', exhibited at the BAT Alberto Cornejo gallery, are two of the pieces that will be donated belonging to Leticia Felgueroso. The works of Felgueroso (Madrid, 1963) are based on urban scenes of an attractive chromatism that make us imagine a different city. Her photographs can be found in numerous Spanish embassies around the world and she has been commissioned by entities such as Ifema or the Thyssen-Bornemisza National Museum.

Toño Barreiro

Flexia 9, 2018

Esmalte sobre aluminio

65 x 65cm

'Flexia 9' by Toño Barreiro, made in enamel on aluminum in 2018, is another of the pieces that will be incorporated into the collection of the Museum of Contemporary Art and can be seen at Shiras Galería. Toño Barreiro (Zamora, 1965) has been developing, since the mid-1980s, a multidisciplinary work that alternates photography, painting, sculpture and digital processes. In his work we can observe a whole series of new methodologies and creative processes that give rise to sinuous and synaesthetic paintings, playing with the concept of deconstruction, the symbiotic or the most elementary biological processes.

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.

First Course on Collecting and Contemporary Art. Avilés, Asturias

The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.

"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.

The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.

PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.

This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.