Contemporary art drinks from the great artists of the avant-garde, creators who squeezed the plastic languages to get the maximum expressiveness to color, shape or texture in contrast with the more traditional and academic figuration. We can not understand much of the emerging art without knowing the avant-garde masters, and in Art Madrid we have some of their most representative names.

Antoni Tàpies

Sense titol, 1970

Acrylic, graphite, collage and assembly on cardboard

28 x 39cm

Surrealism, abstract expressionism, the school of Cuenca, pop art, Equipo Crónica, the El Paso Group ... the avant-garde movements removed the foundations of art in the last century and its authors are the seed of the most current art. Conceptualism, site specific, ready made, material painting have their roots in those masters and there are galleries whose background is a treasure of the vanguards.

Antonio Saura

Charles, 1989

Oil on canvas

130 x 97cm

The Benlliure Gallery (Valencia) founded in 1984 and directed by Vicente and Alejandro Segrelles has specialized in these consolidated values without neglecting young artists. In these 20 years they have exposed artists of recognized prestige, painting of the late nineteenth and early twentieth centuries, School of Paris, El Paso Group, historical Vanguard, Spanish landscape of the twentieth century, highlighting their collective exhibitions entitled "Muestra Benlliure" where they annually exhibit selected works of reknowned authors. In Art Madrid'18 they propose a collective exhibition of different reference authors, belonging to the El Paso group, such as Luis Feito, Antonio Saura or the eclectic Luis Gordillo, supporter of the new figuration. They also feature the work of José Guerrero, an American nationalized Spanish engraver and painter framed within abstract expressionism, and artists such as Carmen Calvo, Eduardo Chillida, Juan Genovés, Manuel Hernández Mompó, Joan Hernández Pijuan, Miquel Navarro, Jaume Plensa, Antoni Tàpies, Juan Uslé and Manolo Valdés.

Joan Miró

Peinture VI, 1969

Oil on canvas

27 x 16cm

For its part, the Marc Calzada Gallery (Barcelona), founded in 1996, presents in Art Madrid'18 a collective that unites the figure of Joan Miró with the artists present at the controversial Spanish exhibition of the XXXVII Venice Biennial of 1976, entitled "Artistic Vanguard and Social Reality: Spain 1936-1976".

Marc Calzada will turn his stand into the fair in a mini Biennial of the 76th with the work of Miró and those artists he chose to accompany him in Venice: Picasso, Calder, Alberto Sánchez, Josep Renau, Dau al Set, El Paso, Eduardo Arroyo, Alberto Corazón, Chillida, Oscar Domínguez, Equipo Crónica, Team 57, Juan Genovés, Gordillo, Millares, Lucio Muñoz, Oteiza, Palazuelo, Saura or Tàpies ... A true journey through the history of Spanish "new art".

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: OSCURECER UN PAPEL. BY ROCÍO VALDIVIESO

March 5 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.

Nocturnality. Installation. Rocío Valdivieso..

Oscurecer un papel forms part of a series of actions in which the artist engages in reading through repetition, memorization, and a measured degree of improvisation. Within this framework, a non-linear mode of reading emerges from a written text that is transformed when spoken aloud, assuming a different form in the act of articulation. The texts stem from an ongoing investigation into materiality, space, the relationships between body and matter, writing, the sculptural, and a sustained interest in the exploration of voice and orality.

The material from which Oscurecer un papel is constructed consists of a collection of purchase receipts the artist has been accumulating over time. The printed text they contain, together with the action of bringing them into proximity with a heat source—thereby activating the thermal paper on which they are produced—generates meanings that revolve around the notions of consumption and wear.

Rocío Valdivieso. Latent Aura. Performance documentation.

ABOUT ROCÍO VALDIVIESO

Rocío Valdivieso is an artist, researcher, and cultural manager. She is currently a PhD candidate in Fine Arts at the Complutense University of Madrid. She holds an MA in Research in Artistic Practices from the University of Castilla–La Mancha (UCLM) and a BA in Fine Arts from the National University of Tucumán, Argentina. She was a Fundación Carolina fellow from 2022 to 2023. She currently co-directs Errática. Laboratory of Processes and Critique in Madrid, alongside Romina Casile.

She was part of the PEEPA 2023 Program at the Centro de Residencias Artísticas, Matadero Madrid. She completed the 2021/22 Artists Program at Universidad Torcuato Di Tella, Buenos Aires, and in 2020 participated in the Intensive Curatorial Program of Proyecto PAC at Galería Gachi Prieto, Buenos Aires. She received the Visual Arts Promotion Award at the 4th Visual Arts Week of the Ente Cultural de Tucumán. She was awarded an AUGM scholarship for an exchange residency at UNESP, São Paulo, Brazil. She also participated in the International Residency Program La Ira de Dios and in the Acéfala Galería Residency for Argentine artists.