Art Madrid'25 – WE TALK TO MÒNICA SUBIDÉ ABOUT HER LAST WORK: “THE DESIRE TO BE A DEER”

There, inside the forest, where everything is dense and leafy, inhabits the fantasy of the stories. The machinery of the imagination beats in the heat of a light sifted by the tops of the trees, under whose branches, lying in the sunset light, magic takes place. The stories that host our dreams feed on the emptiness that the mystery leaves in its way so that we fill it with new stories. It is a perfect tension between innocence and maturity, between the desire to play and the awareness that all this is part of an unreal world. But the door is open and, although someone warned us once that we should not enter, we can not avoid it.

Mònica Subidé

Los niños de papel, 2019

Óleo, lápiz y collage de papel japonés sobre lino

54 x 65cm

Mònica Subidé

Los hijos del rey bufón y sus buitres, 2018

Oil, pencil and collage on wood

80 x 110cm

Mònica Subidé

Jardín de Luces, 2019

Oil and collage on linen

54 x 65cm

The eyes of animals are crystal spheres that curve and reflect the environment. The green leaves form superimposed fans, like vegetable screens that yield sweetly in our path. We advance in search of a refuge, a haven in the middle of the grove where we can rest our exhausted mind of so much information. And so be able to think. Silence (which is not true silence) fills with faint sounds, and we enter loneliness accompanied, in a path without fixed direction that takes us to the bottom of our being. We face these images with the feeling of having seen them before, but not in real life, but in the reality of our dreams. They are dream pictures that remind us of fairy tales, enchanted forests, spring evenings, being lying on the grass while we watch the clouds pass by.

Mònica Subidé

Alma de ciervo, 2019

Oil and collage on linen

38 x 55cm

Mònica Subidé

La princesa ladrona. Niñas pez, 2018

Oil and collage on wood

25 x 18.5cm

Mònica Subidé

Travesia en el bosque de Nolde Mirocco. Serie exploradores, 2018

Oil and collage on linen

114 x 146cm

The often difficult task of theorising about painting loses its meaning again on this occasion. These snatches stolen from a dreamy mind lead us to a conceptual contradiction. Let's glimpse suffering, but also placidity and serenity. A natural and delicious calm, not without frights and scares of the soul when you think of existential truths such as freedom. Our mind can play tricks on us, look for the misunderstanding between state and situation, create the fallacy of being free but locked in oneself. No. Let's get rid of artifices. There, inside the forest, where nobody sees us, we are what we really are and surrender to our own life, contradictory and elusive as it is.

···

We asked Mònica about his latest work that is on show in Bea Villamarín Gallery, a pictorial proposal that takes us to an almost oniric world where time seems to stop.

In previous works, you have explored the connection between life and death. The allusion to the emptiness you make in "The desire to be a deer", is it also a reference to that dichotomy between opposing elements, such as childhood and adulthood, consciousness and unconsciousness?

I have never considered that there was a dichotomy between childhood and adulthood or consciousness or unconsciousness. For me, in both cases, we must accept the first to live the second. The allusion to the void, always talking about me, is just that state where you intend to stop and vanish, in the concept of idea-mind, to be in a déjà-vu. They are difficult emotions to express in words and painting. Abstract emotions that speak of emptiness in humans are always complicated. I am very interested in human being and emotions, so childhood is something that fascinates me because it is the beginning towards life and where we take the road. I usually interpret emotions in stories; narrating in painting is more like writing. On this occasion, there are many pieces where I do not want to tell, just lie down, be in a state of déjà-vu. When I started about four years ago with a new pictorial language, my nine-year psychoanalysis was just over. It was the beginning to try to interpret childhood ideas and dreams.

 

What does the deer represent as a concept in this pictorial series, is it the observer or is it the observed being?

Always for me, it is the observer; it is the link between man and his soul. The deer in many different occasions in my pieces always represents the wild animal that we are, and that desire to be free, without knowing what a world in freedom is. It is an act of protest, poetic, dreamlike, subtle, trying to be freer in our everyday world, in small things.

Mònica Subidé

Flor azul, topo marron, 2019

Oil and collage on linen

22 x 27cm

Mònica Subidé

Cuenco amarillo con girasol verde, 2019

Oil and collage on cardboard paper

40 x 58cm

You have stated that you feel comfortable with large formats, have you chosen the medium size for any reason for this collection?

I was working for years in very large formats; I am increasingly interested in the medium format for a simple matter of privacy. I really wanted to be able to present nearby, less spectacular pieces and force the viewer to stop a few minutes, in front of the pieces. The large format is often a fast-track-look format. I wanted a slow exhibition because the last three years have been very intense, with a lot of production, and little time to reflect. I wished I could find a closer dialogue between one’s self and painting. With this, I do not mean that I am not interested in the large format, but it is a very different mental state, which on this occasion, I did not feel when painting. I believe that this exhibition came at a time when the physical and mental exhaustion of recent years forced me to lie down and rest, reconnect with myself, review my trajectory in order to continue advancing, and be able to reinvent new ways to transmit that feeling of emptiness.

 

From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.