Art Madrid'26 – INTIMATE SPACES. PERSONAL REFLECTIONS

Within the online exhibition “Intimate spaces. Personal reflections” eight artists whose works are connected by the search of the intimate space live together. The images by Xurxo Gómez-Chao, Alfonso Zubiaga, Carlos Regueira, Soledad Córdoba, Rocío Verdejo, Andy Sotiriou, Ely Sánchez and José Quintanilla capture serene and solitary settings, empty spaces, open-plan rooms with which they invite personal reflection. The selection of images in this exhibition assembles around two areas: that of interior spaces and that of natural landscapes.

The individual is immersed in an everyday whirl leading him to a vital dilemma. A large part of our decisions is the fruit of the evolution of things, the imposition of standardised guidelines that surround us with routines of modernity, in the stream of the society of our time. However, the need to recover the essence of the human being is often imposed on this inertia. The return to spirituality, to inner balance, demands its place.

With the series "La Salita" the photographer Xurxo Gómez-Chao manages to give soul to walls and spaces in which the only outstanding element is an armchair. This way, he creates dreamlike environments within those interior landscapes where the absence of any other element confers a more intangible meaning.

Xurxo Gómez-Chao

Hotel Earle. Red room, 2016

Photography on paper Ilford

100 x 80cm

Xurxo Gómez-Chao

Hotel Earle. Golden room, 2016

Photography on paper Ilford

75 x 60cm

For her part, the lyrical scenarios of the series "Limbo" by Soledad Córdoba start from experienced and dreamy realities. Her images create visual poems, where silence, beauty, pain, fear or lack of communication are present and united by a fragile thread. Rocío Verdejo, likewise Soledad, introduces human figures in her compositions to unravel that tangle of feelings and emotions that gender violence implies. Her work "Crashroom" is a visual metaphor that manages to express the "not to exist inside".

Rocío Verdejo

Crashroom, 2014

Printing with pigmented inks on Hahnemühle paper on dibond

70 x 50cm

Natural environments also offer a multitude of possibilities to show those sensations even if there are no walls, no borders, no limitations. We find naked landscapes that manage to convey a deep balance like those by Andy Sotiriou, whose series "Snowscapes" captures snow-covered fields crossed by random lines of vegetation, or Alfonso Zubiaga, who interprets the relationship between the land and the sea with images of high-contrast and great serenity in his work "Binario". In this same way, José Quintanilla also uses cultivated fields in which, suddenly, an anonymous and washed-out construction emerges. His project "My house, my tree" conveys a deep nostalgia with retro aesthetic photographs and ochre-pastel tones.

Andy Sotiriou

Snowscape 29, 2014

Photography, mineral pigments on paper

60 x 60cm

Alfonso Zubiaga

Binario 1, 2017

Photography

55 x 74cm

José Quintanilla

Mi casa, mi árbol 15, 2015

Pigmented inks on Hahnemühle cotton paper mounted on cardboard museum

21 x 31cm

From a more dreamlike perspective, Carlos Regueira offers a dramatic vision of wooded landscapes. His "Paisajes pervertidos" reflect a morbid beauty, perhaps threatening, but at the same time reveals formal serenity and balance. These images emerge from the mist of memory and interpellate the viewer. In a similar line evolves the work of Ely Sánchez. In his series "Heridos" seeks to reveal that everything we see is an artifice, a translated image, credible but not real. On the other hand, in "Sueños geométricos" the artist focuses on the beauty of the lucid dream to experience what in real life is not feasible, thus releasing his most intimate identity.

Carlos Regueira

Malaysia, 2014

Photography

52 x 70cm

Ely Sánchez

Serie Heridos 1, 2014

Digital print

53 x 80cm

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ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: OFF LINE. JIMENA TERCERO

March 7 | 7:00 p.m. Galería de Cristal of the Palacio de Cibeles.



OFF LINE is a performance piece that reflects on the fragility of the body in the digital age. Our relationship with the outside world is mediated by a screen, which distances us further and further from physical contact and interpersonal relationships. Focusing on creating a digital identity causes the body to distance itself from the physical world and lose its memory.

Hyperconnectivity and fragmented attention lead to a more passive physical existence, characterised by reduced spontaneous movement and less direct sensory interaction. This raises fundamental questions: how is the concept of presence redefined when our relationship with the world relies on technological mediation? What will the experience of the body be like in a future where virtuality predominates over the physical? There is a risk of progressive bodily passivity: bodies that remain still, whose activity is determined by devices and whose memory is stored digitally. The fragmentation of physical experience and the primacy of technological representation create a scenario in which, although the body is visible, it is displaced from its original function as an agent of perception and action.

This conceptual framework invites reflection on the impact of digitisation on corporeality, memory and social relationships, and on the vulnerability and inertia experienced by bodies in environments that are increasingly mediated by technology.



ABOUT JIMENA TERCERO

Jimena Tercero (Madrid, 1998) is a multidisciplinary artist whose work explores the boundaries of the female body, identity, and the subconscious. She uses performance, video, and painting to address concepts such as memory, tangibility, and play. Tercero trained in painting with Lola Albín and in analog photography at Cambridge in 2014. She studied audiovisual direction from 2018 to 2020 with renowned figures such as Víctor Erice and the production company El Deseo. She is currently pursuing a Master's degree in Creative Direction at ELISAVA. She completed her performance training at La Juan Gallery. In 2011, she was part of the children's jury at the Isfahan Film Festival in Iran.

Her directed works include Private (2016) and Paranoid (2021), which were exhibited at the Aspa Contemporary Gallery. She has also worked on projects such as Yo, mi, me, conmigo (2023, Teatros del Canal), Inside Voices (2021, Conde Duque with Itziar Okariz), and La última regla (La Juan Gallery). She has directed fashion films for publishers and brands such as Puma, Dior, and Dockers. She has also provided art direction for artists such as Sen Senra and Jorge Drexler. Additionally, she directed the documentary Also Here for ArtforChange–La Caixa. She presented Out of View (Nebula Gallery), EDEN (White Lab Gallery), and Navel Bite (Sinespacio). She participates in residencies such as Medialab with Niño de Elche and Miguel Álvarez Fernández. In 2025, she will be part of the Special Jury of the Asian Film Fest in Barcelona and the International Cultural Museum of Assilah Art Residency in Morocco).