Art Madrid'26 – INTIMATE SPACES. PERSONAL REFLECTIONS

Within the online exhibition “Intimate spaces. Personal reflections” eight artists whose works are connected by the search of the intimate space live together. The images by Xurxo Gómez-Chao, Alfonso Zubiaga, Carlos Regueira, Soledad Córdoba, Rocío Verdejo, Andy Sotiriou, Ely Sánchez and José Quintanilla capture serene and solitary settings, empty spaces, open-plan rooms with which they invite personal reflection. The selection of images in this exhibition assembles around two areas: that of interior spaces and that of natural landscapes.

The individual is immersed in an everyday whirl leading him to a vital dilemma. A large part of our decisions is the fruit of the evolution of things, the imposition of standardised guidelines that surround us with routines of modernity, in the stream of the society of our time. However, the need to recover the essence of the human being is often imposed on this inertia. The return to spirituality, to inner balance, demands its place.

With the series "La Salita" the photographer Xurxo Gómez-Chao manages to give soul to walls and spaces in which the only outstanding element is an armchair. This way, he creates dreamlike environments within those interior landscapes where the absence of any other element confers a more intangible meaning.

Xurxo Gómez-Chao

Hotel Earle. Red room, 2016

Photography on paper Ilford

100 x 80cm

Xurxo Gómez-Chao

Hotel Earle. Golden room, 2016

Photography on paper Ilford

75 x 60cm

For her part, the lyrical scenarios of the series "Limbo" by Soledad Córdoba start from experienced and dreamy realities. Her images create visual poems, where silence, beauty, pain, fear or lack of communication are present and united by a fragile thread. Rocío Verdejo, likewise Soledad, introduces human figures in her compositions to unravel that tangle of feelings and emotions that gender violence implies. Her work "Crashroom" is a visual metaphor that manages to express the "not to exist inside".

Rocío Verdejo

Crashroom, 2014

Printing with pigmented inks on Hahnemühle paper on dibond

70 x 50cm

Natural environments also offer a multitude of possibilities to show those sensations even if there are no walls, no borders, no limitations. We find naked landscapes that manage to convey a deep balance like those by Andy Sotiriou, whose series "Snowscapes" captures snow-covered fields crossed by random lines of vegetation, or Alfonso Zubiaga, who interprets the relationship between the land and the sea with images of high-contrast and great serenity in his work "Binario". In this same way, José Quintanilla also uses cultivated fields in which, suddenly, an anonymous and washed-out construction emerges. His project "My house, my tree" conveys a deep nostalgia with retro aesthetic photographs and ochre-pastel tones.

Andy Sotiriou

Snowscape 29, 2014

Photography, mineral pigments on paper

60 x 60cm

Alfonso Zubiaga

Binario 1, 2017

Photography

55 x 74cm

José Quintanilla

Mi casa, mi árbol 15, 2015

Pigmented inks on Hahnemühle cotton paper mounted on cardboard museum

21 x 31cm

From a more dreamlike perspective, Carlos Regueira offers a dramatic vision of wooded landscapes. His "Paisajes pervertidos" reflect a morbid beauty, perhaps threatening, but at the same time reveals formal serenity and balance. These images emerge from the mist of memory and interpellate the viewer. In a similar line evolves the work of Ely Sánchez. In his series "Heridos" seeks to reveal that everything we see is an artifice, a translated image, credible but not real. On the other hand, in "Sueños geométricos" the artist focuses on the beauty of the lucid dream to experience what in real life is not feasible, thus releasing his most intimate identity.

Carlos Regueira

Malaysia, 2014

Photography

52 x 70cm

Ely Sánchez

Serie Heridos 1, 2014

Digital print

53 x 80cm

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ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.