THE SEDUCTION OF MYSTERY

Miquel Alzueta, Robert Drees, Fucking Art, Alba Cabrera and MH Art Galleries

 

The seduction of the unknown, hidden and mysterious, is one of those things that is hard to describe. Many times we do not even know how that feeling begins, why something becomes so attractive or how it becomes a permanent thought. The mystery can be ineffable, because it is not easy to express it with words and, perhaps due to this verbal difficulty, it is more possible to express it through other languages, such as the language of images, the shapes of visual arts.

Hugo Alonso

Son, 2018

Acrylic on paper

50 x 50cm

Jordi Alcaraz

Untitled, 2018

Mixed media

55 x 65cm

The appealing proposal from the gallery directed by Miquel Alzueta comes from Barcelona. In its booth, the audience can appreciate the unique poetics of Jordi Alcazar, an artist who “paints without paint”, who "makes meta-painting, or almost", as the journalist José Ángel Montañés pointed out. The overwhelming and conceptual work of Alcazar invites us to question the very nature of painting, its shapes, techniques and messages, at the same time revealing the narrow (and sometimes conflicting) relationship it may have with literature, or rather with the exercise of reading, something that overwhelms the day to day of the artist. His pieces are small books with dark and deep holes, like a kind of precipices: there is no doubt that literature can calm and even heal a restless mind, but it must not be forgotten that it can become a pernicious obsession for those who love it in excess. Living other lives, starring in the stories of "others" and holding our particular disappointments back, is a great temptation that the artist Hugo Alonso knows very well. In his paintings on paper, in which thriller film hints are revealed, it always seems that something crucial is about to happen, or something revealing has just happened; in fact the seductive feeling of curiosity that the gaze hides, very enhanced in these works by the unreality of black and white.

Andrea Torres Balaguer

Vermilion, 2018

Mixed media

142 x 112cm

The seduction produced by mystery is also very present in the photographs of the series "The Unknown" by Andrea Torres Balaguer: stylish women whose faces have been veiled by brushstrokes, drips, mineralized paint. The mystery, the fascination, the hidden tale or the pure aesthetic pleasure are traits that have characterized the works of the young photographer since her beginnings. Very different female portraits are those presented by the painter Lídia Masllorens: firsthand close-ups sometimes only enlarged details, represented through an agile, liquid brushwork, but guided in a very conscious way. The Catalan gallery closes with the work of Maria Yelletisch, essentially graphic, conceptual and compiler spirit; and with the personal mythology of the, only in appearance, playful Edgar Plans -also represented by the Marita Segovia gallery.

Pepa Salas

Desiderare con l'anima I, 2018

Mixed media on canvas

100 x 150cm

Markus Fräger

Der helle Schein 1, 2018

Oil on canvas

50 x 70cm

Undoubtedly enigmatic are the works presented by Robert Drees Gallery (Hannover). From the figurative, provided by the paintings of Pepa Salas, creator of sensual images and the intriguing stories in which the reality of black and white is usually disrupted with the introduction of discordant elements in colour; or the more expressionistic work by Markus Fräger, in which stories the chosen time is given a complex meaning and sublimated by the artist, who masterfully explores the psychology of portraits and the aura of environments.

Michael Laube

21-17, 2017

Acrylic on glass

40 x 100cm

Jürgen Jansen

Kerames III, 2018

Tinta y acuarelas sobre papel

125 x 158cm

The mystery comes many times precisely from duality, to unite opposite aspects, as does the South Korean artist Sun Rae Kim in her fantasies in rubber and paper: reflecting at the same time on the outer surface and the inner structure, in her work traditional materials of Korean culture along with others imposed by current industrial times are combined. The two most abstract proposals presented by the German gallery can also seem mysterious: the beautiful and ethereal installations in acrylic glass by Michael Laube; or the most hypnotizing and risky paintings of Jürgen Jansen, in which a final layer of the resin often makes them irresistible.

Carlos Regueira

Bosque de Ferrolterra, 2017

Mixed media, photography and painting

70 x 35cm

Alfonso Zubiaga

Binario I. It Isn´t chaos, it´s just Binary, 2018

Photography

83 x 113cm

The artists of Fucking Art present in this edition of Art Madrid an interesting selection of their most recent creations, as the hybrid landscapes by Carlos Regueira, between photography and painting: intriguing from that peculiar solitude, allure from the beauty of the inhospitable. The audience can also find out the new pieces of Alfonso Zubiaga that give continuity to the series "It is not chaos, it is only binary", where the photographer introduces us to the contradictions between the analogue and digital worlds from the depth of lyric nights of strange serenity.

Atauri

Árbol y escalera, 2018

Tinta sobre papel

100 x 100cm

Isabel Alonso Vega

Levógira, 2018

Fumes and methacrylate

30 x 30cm

Especially poetic is the work by Atauri: both in her graphic works, where the author reveals a meticulous observation and a deep passion for natural shapes, as in her object-based pieces, where the poetics of repetition are paired with more conceptual issues. The gallery selection closes with the enigmatic works in suspension by Isabel Alonso Vega: smoke, frozen and dissected scrolls inside methacrylate urns that, however, acquire extreme and unexpected beauty. Both for the alternate personality of this gallery, created and managed by the artists themselves, as well as for the nature of their proposals, can well relate to those verses by Neruda that say: "Come on, let's leave / this suffocating river / in which we swim with other fish / from dawn to shifting night / and now in this discovered space / let’s fly to a pure solitude” (translated by Alastair Reid. “The future is space. Memorial de Isla Negra", 1964).

Cristina Alabau

Nº2 Espacio sensible, 2018

Murano glass on corten iron base

55 x 40cm

The entire Valencian selection of Alba Cabrera Gallery (Valencia) includes the exotic landscapes travelled (or imagined) by Calo Carratalá: naked interpretations of the landscape from an absolute interiorization and essentiality of the shapes that seem to speak of a sense of internal exile. Also, essential lines and interiorization of nature includes the work of Cristina Alabau, artist of which the gallery exhibits a set of watercolours works and some of her sculptures made in Murano glass. Here the landscape expresses itself through poetic abstraction as an interior territory full of evoking.

José Juan Gimeno

Entre la Quinta y Broadway, selfie, 2018

Acrylic on board and serigraphy on methacrylate

100 x 100cm

Alba Cabrera completes her proposal with the work of José Juan Gimeno and his reflection on urbanism and urban anthropology. We now delve into the urban and social plots that, through the concrete readings of the works, expose a reality (or a fiction) in time as elusive as it is ours, which paradigms are in the continuous transformation.

Mónica Dixon

Nowhere Nº 8, 2018

Acrylic on canvas

50 x 50cm

Estefanía Urrutia

S. Fosforescencias 7, 2015

Oil on canvas

46 x 55cm

Finally, MH Art Gallery (Bilbao) presents the latest works by four artists. The public can enter the mysterious spaces created by Mónica Dixon: a counterpoint to the mental and visual noise of everyday life, a place of reflection marked by silence, stillness and the play of light and shadow that reveals presences that hide through the out of focus. In the same way, the characters of the oil paintings by Estefanía Urrutia appear from the silence, from the iridescence that exists in daily life, this daily normality in which so many things happen and go unnoticed but could have great aesthetic or emotional relevance.

Thilleli Rahmoun

Sin título, 2017

Mixed media on paper

150 x 175cm

The distortion of the urban web reaches great expression in the work by Thilleli Rahmoun, an Algerian artist especially sensitive to the changing concerns, experiences and ways of life of the contemporary city. Luckily, we can always take refuge in the most ancestral mysticism, as the work by the South Korean Joo Eun Bae offers through her spiritual landscapes turned into abstractions, watery and light but at the same time that compact and textural.

 

The cultural agenda gradually recovers after the health-crisis halt and art lovers are eager to enjoy the rich cultural offer that the different spaces and museums throughout our geography have to offer. In addition, one must remember that these centres have made an enormous effort to adapt to the demands that the new situation imposes and have created abundant online-accessible content to overcome confinement. We bring you a selection of content that can be visited both in person and through the web. There is no excuse for not enjoying contemporary art again.

Olafur Eliasson, “En la vida real (In real life)”, 2019

The Guggenheim Museum in Bilbao continues with its exhibition dedicated to Olafur Eliasson and offers numerous resources to understand not only the exhibition but also the work of the centre in the assembly and installation process. The website allows us to expand content with interviews with the artist, the download of the audio guide and the vision of the curator Lucía Aguirre, who offers us different video-pills on the pieces in the exhibition.

"Olafur Eliasson: in real life" brings together a part of this artist's work since 1990 through sculptures, photographs, paintings and installations that play with reflections and colours. Likewise, the integration of elements such as moss, water, ice, fog... put the visitor in a situation that confuses the senses and tries to challenge the way we perceive our environment and move in it.

Regina de Miguel, “Isla Decepción”, 2017

The Botín Centre in Santander hosts the exhibition "Collecting processes: 25 years of Itineraries" which brings together the work of 25 of the 210 scholarship recipients who, to date, have enjoyed the Botín Foundation Plastic Arts Scholarship, started in 1993. With the works Lara Almárcegui, Basma Alsharif, Leonor Antunes, Javier Arce, Erick Beltrán, David Bestué, Bleda and Rosa, Nuno Cera, Patricia Dauder, Patricia Esquivias, Karlos Gil, Carlos Irijalba, Adrià Julià, Juan López, Rogelio López Cuenca, Renata Lucas, Mateo Maté, Jorge Méndez Blake, Regina de Miguel, Leticia Ramos, Fernando Sánchez Castillo, Teresa Solar Abboud, Leonor Serrano Rivas, Jorge Yeregui, David Zink-Yi, the exhibition is a good example of up-to-date and young contemporary art contributed by artists with very diverse profiles.

Clemente Bernad. Series “Ante el umbral”, Madrid, 2020

The Reina Sofía Museum wanted to create a visual chronicle of what the confinement and the tragic numbers of infected and deceased have meant for the lives of many of us: a tale of pain, nostalgia and uncertainty made by the photographer Clemente Bernad. This exhibition, curated by Jorge Moreno Andrés, is entitled “Before the threshold”, a title that expresses the strange sensation that occurs when faced with something new and unknown, something that we cannot control or avoid, and that we all must go through. The alteration imposed on our lives unexpectedly is reflected in the streets, transformed into places of solitude and abandonment where life has been paralysed.

Mario Merz / No title, Triplo Igloo, 1984 MAXXI Collection

At the IVAM, the exhibition "What is our home?" brings together works from the IVAM collection and the MAXXI centre in Rome to propose a reflection on the space we inhabit seen from a personal and social perspective. It is about investigating the value that these spaces have as a home or refuge, as well as part of a city or community.

The exhibition, curated by José Miguel G. Cortés, also wants to delve into the feeling of those who feel like foreigners anywhere, because they do not identify with the habits or customs of the society, they do not fit into these social patterns, and home becomes the only shelter space that can adapt to their identity needs.

Martha Rosler, frame from “Backyard Economy I-II”, 1974 © Courtesy of Martha Rosler, 2020

Es Baluard Museu is committed to video creation and performance and hosts the monographic exhibition “Martha Rosler. How do we get there from here?” dedicated to this New York artist who pioneered the use of video as a mechanism for social and political analysis. This exhibition includes various works, from video to photography and several publications, which synthesise her main lines of discourse. Her concern for public policies and the social equality of women has led her to actively participate in numerous social movements in La Havana, New York, Mexico DC or Barcelona, and these experiences are present in one way or another in her work.

With the curatorship of Inma Prieto, a selection has been made within the abundant production of this artist, which presents one of the most coherent careers in towards-the-new-Millenium contemporary art.

Image from file, via meiac.es/turbulence/archive/acceso.html

The MEIAC - Museo Extremeño e Iberoamericano de Arte Contemporáneo, host the works of the prestigious international digital art archive "Turbulence", a platform dedicated to network and hybrid art. In view of the inevitable closure of this institution, the MEIAC has offered to host all this valuable content collected since 1996. The uploading of the file also served as an opportunity to restore numerous pieces and convert formats so that files that had become obsolete remain readable by new systems. A huge job of conservation and updating that can be enjoyed online today. The archive is made up of hundreds of digital works from around the world that can now be visited remotely.