Art Madrid'23 – THE SEDUCTION OF MYSTERY

Miquel Alzueta, Robert Drees, Fucking Art, Alba Cabrera and MH Art Galleries

 

The seduction of the unknown, hidden and mysterious, is one of those things that is hard to describe. Many times we do not even know how that feeling begins, why something becomes so attractive or how it becomes a permanent thought. The mystery can be ineffable, because it is not easy to express it with words and, perhaps due to this verbal difficulty, it is more possible to express it through other languages, such as the language of images, the shapes of visual arts.

Hugo Alonso

Son, 2018

Acrylic on paper

50 x 50cm

Jordi Alcaraz

Untitled, 2018

Mixed media

55 x 65cm

The appealing proposal from the gallery directed by Miquel Alzueta comes from Barcelona. In its booth, the audience can appreciate the unique poetics of Jordi Alcazar, an artist who “paints without paint”, who "makes meta-painting, or almost", as the journalist José Ángel Montañés pointed out. The overwhelming and conceptual work of Alcazar invites us to question the very nature of painting, its shapes, techniques and messages, at the same time revealing the narrow (and sometimes conflicting) relationship it may have with literature, or rather with the exercise of reading, something that overwhelms the day to day of the artist. His pieces are small books with dark and deep holes, like a kind of precipices: there is no doubt that literature can calm and even heal a restless mind, but it must not be forgotten that it can become a pernicious obsession for those who love it in excess. Living other lives, starring in the stories of "others" and holding our particular disappointments back, is a great temptation that the artist Hugo Alonso knows very well. In his paintings on paper, in which thriller film hints are revealed, it always seems that something crucial is about to happen, or something revealing has just happened; in fact the seductive feeling of curiosity that the gaze hides, very enhanced in these works by the unreality of black and white.

Andrea Torres Balaguer

Vermilion, 2018

Mixed media

142 x 112cm

The seduction produced by mystery is also very present in the photographs of the series "The Unknown" by Andrea Torres Balaguer: stylish women whose faces have been veiled by brushstrokes, drips, mineralized paint. The mystery, the fascination, the hidden tale or the pure aesthetic pleasure are traits that have characterized the works of the young photographer since her beginnings. Very different female portraits are those presented by the painter Lídia Masllorens: firsthand close-ups sometimes only enlarged details, represented through an agile, liquid brushwork, but guided in a very conscious way. The Catalan gallery closes with the work of Maria Yelletisch, essentially graphic, conceptual and compiler spirit; and with the personal mythology of the, only in appearance, playful Edgar Plans -also represented by the Marita Segovia gallery.

Pepa Salas

Desiderare con l'anima I, 2018

Mixed media on canvas

100 x 150cm

Markus Fräger

Der helle Schein 1, 2018

Oil on canvas

50 x 70cm

Undoubtedly enigmatic are the works presented by Robert Drees Gallery (Hannover). From the figurative, provided by the paintings of Pepa Salas, creator of sensual images and the intriguing stories in which the reality of black and white is usually disrupted with the introduction of discordant elements in colour; or the more expressionistic work by Markus Fräger, in which stories the chosen time is given a complex meaning and sublimated by the artist, who masterfully explores the psychology of portraits and the aura of environments.

Michael Laube

21-17, 2017

Acrylic on glass

40 x 100cm

Jürgen Jansen

Kerames III, 2018

Tinta y acuarelas sobre papel

125 x 158cm

The mystery comes many times precisely from duality, to unite opposite aspects, as does the South Korean artist Sun Rae Kim in her fantasies in rubber and paper: reflecting at the same time on the outer surface and the inner structure, in her work traditional materials of Korean culture along with others imposed by current industrial times are combined. The two most abstract proposals presented by the German gallery can also seem mysterious: the beautiful and ethereal installations in acrylic glass by Michael Laube; or the most hypnotizing and risky paintings of Jürgen Jansen, in which a final layer of the resin often makes them irresistible.

Carlos Regueira

Bosque de Ferrolterra, 2017

Mixed media, photography and painting

70 x 35cm

Alfonso Zubiaga

Binario I. It Isn´t chaos, it´s just Binary, 2018

Photography

83 x 113cm

The artists of Fucking Art present in this edition of Art Madrid an interesting selection of their most recent creations, as the hybrid landscapes by Carlos Regueira, between photography and painting: intriguing from that peculiar solitude, allure from the beauty of the inhospitable. The audience can also find out the new pieces of Alfonso Zubiaga that give continuity to the series "It is not chaos, it is only binary", where the photographer introduces us to the contradictions between the analogue and digital worlds from the depth of lyric nights of strange serenity.

Ángeles Atauri

Árbol y escalera, 2018

Tinta sobre papel

100 x 100cm

Isabel Alonso Vega

Levógira, 2018

Fumes and methacrylate

30 x 30cm

Especially poetic is the work by Atauri: both in her graphic works, where the author reveals a meticulous observation and a deep passion for natural shapes, as in her object-based pieces, where the poetics of repetition are paired with more conceptual issues. The gallery selection closes with the enigmatic works in suspension by Isabel Alonso Vega: smoke, frozen and dissected scrolls inside methacrylate urns that, however, acquire extreme and unexpected beauty. Both for the alternate personality of this gallery, created and managed by the artists themselves, as well as for the nature of their proposals, can well relate to those verses by Neruda that say: "Come on, let's leave / this suffocating river / in which we swim with other fish / from dawn to shifting night / and now in this discovered space / let’s fly to a pure solitude” (translated by Alastair Reid. “The future is space. Memorial de Isla Negra", 1964).

Cristina Alabau

Nº2 Espacio sensible, 2018

Murano glass on corten iron base

55 x 40cm

The entire Valencian selection of Alba Cabrera Gallery (Valencia) includes the exotic landscapes travelled (or imagined) by Calo Carratalá: naked interpretations of the landscape from an absolute interiorization and essentiality of the shapes that seem to speak of a sense of internal exile. Also, essential lines and interiorization of nature includes the work of Cristina Alabau, artist of which the gallery exhibits a set of watercolours works and some of her sculptures made in Murano glass. Here the landscape expresses itself through poetic abstraction as an interior territory full of evoking.

José Juan Gimeno

Entre la Quinta y Broadway, selfie, 2018

Acrylic on board and serigraphy on methacrylate

100 x 100cm

Alba Cabrera completes her proposal with the work of José Juan Gimeno and his reflection on urbanism and urban anthropology. We now delve into the urban and social plots that, through the concrete readings of the works, expose a reality (or a fiction) in time as elusive as it is ours, which paradigms are in the continuous transformation.

Mónica Dixon

Nowhere Nº 8, 2018

Acrylic on canvas

50 x 50cm

Estefanía Urrutia

S. Fosforescencias 7, 2015

Oil on canvas

46 x 55cm

Finally, MH Art Gallery (Bilbao) presents the latest works by four artists. The public can enter the mysterious spaces created by Mónica Dixon: a counterpoint to the mental and visual noise of everyday life, a place of reflection marked by silence, stillness and the play of light and shadow that reveals presences that hide through the out of focus. In the same way, the characters of the oil paintings by Estefanía Urrutia appear from the silence, from the iridescence that exists in daily life, this daily normality in which so many things happen and go unnoticed but could have great aesthetic or emotional relevance.

Thilleli Rahmoun

Sin título, 2017

Mixed media on paper

150 x 175cm

The distortion of the urban web reaches great expression in the work by Thilleli Rahmoun, an Algerian artist especially sensitive to the changing concerns, experiences and ways of life of the contemporary city. Luckily, we can always take refuge in the most ancestral mysticism, as the work by the South Korean Joo Eun Bae offers through her spiritual landscapes turned into abstractions, watery and light but at the same time that compact and textural.

 

In the year 2020 in the heart of Barcelona a wandering gallery was born, the same one that in February 2021 would debut at Art Madrid with an exhibition proposal focused on contemporary portraits; with this subject matter it would manage to create a powerful dialogue between artwork and audience and make the seal Inéditad remain in the history of the event that contained it.

Jean Carlos Puerto. Protección. Oil and copper leaf on wood. 60 x 48. 2021. Image courtesy of the gallery.

Since that first time and until today, the wandering gallery has managed to build projects on otherness, has repositioned in the spotlight the discourses on the LGTBIQ+ collective, has consolidated a group of artists who share its principles of resilience and empathy and the best thing is that it continues to bet from the professionalism and commitment to give voice to the difference.

Claudio Petit-Laurent.. El Joven de la Perla. Oil on wood. 30 x 30 cm. 2023. Image courtesy of the gallery.

Inéditad Gallery, thanks to its founder Luis López, its collaborators and the infinite possibilities manifested in the works of the artists it represents, is a gallery that has demonstrated its capacity and courage to stimulate the sensibility of the public through art and seduce a generation that moves between the glass window and the analogical story. Inéditad is a nomadic gallery that has gathered around it a community of artists and has moved the context with exhibition projects that think about LGTBIQ+ art without prejudices.

Pepa Salas Vilar. Las marcas del arcoiris. Oil on canvas. 40 x 50 cm. 2022. Image courtesy of the gallery.

Pride and Prejudice was inaugurated. An exhibition that brings together the works of sixteen artists: Abel Carrillo, Alex Domènech, Carlos Enfedaque, Silvia Flechoso, Jamalajama, Daniel Jaén, Claudio Petit-Laurent, Jean Carlos Puerto, Fernando Romero, Pablo Rodríguez, Pepa Salas Vilar, Jack Smith, Pablo Sola, Bran Sólo, Elia Tomás and Utürüo. Painting, illustration, photography and digital art are the manifestations that bring into dialogue around fifty neatly threaded pieces, in a discursive line that discusses such a latent phenomenon as discrimination. To achieve this, the artists invited to the exhibition question themselves whether: Does discrimination exist within the LGTBIQ+ collective?

Pride and Prejudice Official Poster. Image courtesy of the gallery.

With approaches on and from the body, the proposal invites to celebrate diversity, proposes to question and self-question the prejudices and attitudes of society against the collective. Pride and Prejudice is a space for dialogue about the constructs imposed on us by society. It is also an oasis in which to deconstruct with tolerance and respect the subjectivities that sometimes prevent us from approaching the production of the participating artists, simply because "the beautiful" does not fit in an androgynous body. The subjugation of stereotypes are pressed with determination to find the beauty of diversity in other palpable facets of reality.

Pablo Sola. All men are dogs. Photography. 2014. Image courtesy of the gallery.

Throughout these three years Inéditad has stimulated the vindictive projection towards bad practices, has questioned estates around the LGTBIQ+ body and the most admirable thing, is that these capacities have resurfaced around the dialogue and the visual narrative of the stories that are told from the visual: Artworks that are people, art that is, per se, humanity. Overcome impositions and accept what is different in order to continue fighting against homophobia, biphobia, lesbophobia or transphobia and defend the equal rights that all the acronyms of the collective deserve in our community.

That's Pride and Prejudice: One creature, the happiest in the world. And maybe other projects and other people have said it - or felt it - before, but none so fairly.

Silvia Flechoso. Hola, soy maricón. Oil on canvas. 73 x 54 cm. 2023. Image courtesy of the gallery.

From June 8th until June 22nd you can visit Pride and Prejudice. Carrer de Palau núm. 4. Canal Gallery space. Barcelona.