Art Madrid'26 – THREE WOMEN, THREE REALITIES IN ALBA CABRERA GALLERY

Alba Cabrera Gallery presents in Art Madrid the most intimate work of three women artists: Carmen Michavila, Isabel Gutiérrez and María Angélica Viso. Three different artistic personalities that connect with the same mystical sensibility in their artworks.

Carmen Michavila (Valencia, 1959) reflects about invisibility in her works, evoking a hidden reality. Michavila, starting from a magical realism, invites us to an inner and intimate journey, and as if it were a children's story, leads us to the purest essence. Between delicate and meticulous lines, the artist leaves empty spaces for the spectator, letting his imagination fly, to complete them.

It is inevitable not to distinguish in the art work of the Valencian artist, christian connotations. The verticality of her imaginary figures and her neutral-coloured backgrounds evoke images of earthly paradise and hell. An example of this is the work belonging to the series "Job 38:11: You will go this far, but no further. This is where the pride of your waves will stop".

Carmen Michavila

Sin Título, 2019

Acrylic on canvas

116 x 89cm

In the artwork of Isabel Gutiérrez (Madrid, 1955), the configuration of space plays a fundamental role. With a slight tendency towards the cubist work of Paul Klee and Sonia Delaunay, the paintings of Isabel Gutiérrez are developed within the figurative style, being the colour and the light essential elements in the composition. Nature is represented by the artist in its multiple manifestations, generating a chromatic and formal game defined by the different effects of light, that are multiplied every time, like nature itself, in the flora and fauna of her landscapes and gardens.

”In my paintings I have investigated relationships between colours, compositional structures and different treatments in the brushstroke, with the objective of signifying the evolution of my thoughts about the shave I perceive.”

In art works such as “Primeras hojas” or “Baile de hojas I”, both made in 2019, the great chromatic intensity and very well defined borders build the figurative motifs. The organic elements of its leaves, plants or animals are reaffirmed from a plastic point of view, much more expressive and textured than the geometric surfaces of flat colours that complement them.

Isabel Gutiérrez

Primeras hojas, 2019

Oil on board

40 x 40cm

Isabel Gutiérrez

Baile de hojas I, 2019

Oil on board

40 x 40cm

The geometrical subtle sculptures by the artist from Caracas María Angélica Viso, complete the exhibition proposal of the Alba Cabrera Gallery for Art Madrid. María Angélica Viso (Venezuela, 1971), has among her great references the artists Cruz Díez and Jesús Rafael Soto.

Viso’s artworks are generally attached to the wall. These volatile sculptures, with polyvalent and sophistic shapes, are capable of mutate into other figures. In all their pieces, as the curator Susana Benko points out, "the common element is the image of lightness.

Maria Angélica Viso Penso

Geometrías orgánicas, 2019

Aluminio y pintura anodizada

80 x 80cm

”I find a similarity between paper and metal and so I face the latter, as if it were a parchment, discovering its subtle and soft side, a facet that sometimes seems to hide it in its rigidity. Rigidity that I take advantage of to perforate it with inserts, piercing it, crossing it and then achieving illusions of fabric in movement"

Leaving behind his works of straight lines and statically geometric planes which he makes lose their rigidity, turning them into ethereal only by separating them from the surface and curving them with subtle delicacy, Viso evolves into a new series which he calls "Organic Geometries ". A series he has been working on since 2018 until today.

 


ART MADRID’ 26: 21 YEARS OF CONTEMPORARY ART


Discover all the information about the artists and galleries participating in the 21st edition of Art Madrid. The catalog features a curated selection of the works presented in this edition, along with the most relevant details of the event, making it an essential tool for engaging with the fair’s key figures and exploring the defining elements of today’s art scene.


In 2026, Art Madrid celebrates its 21st edition, further establishing itself as a leading event within Spain’s cultural sector. From March 4 to 8, the Galería de Cristal of the Palacio de Cibeles will once again become a meeting point for galleries, collectors, artists, and contemporary art enthusiasts.


Over the past twenty-one years, the fair has evolved into a dynamic and ever-expanding platform, fostering diversity in artistic languages, techniques, and discourses. In this edition, the Galleries Program brings together around 35 exhibitors from more than seven countries, offering a representative overview of the most recent developments in contemporary creation.


The Art Madrid ’26 catalog serves as a key publication for discovering the work of this edition’s galleries and artists —marked by experimentation and a plurality of perspectives— while also documenting the conceptual axes that shape the fair. As part of the Parallel Program, INHABITING THE EPHEMERAL: A Reflection on the “Species” of Spaces proposes a reflection on space, relationships, and shared experience, expanding the understanding of the fair beyond its commercial dimension and highlighting its cultural and experiential significance.


In addition, the catalog presents the initiatives that complete the program, such as the Open Booth dedicated to emerging creation, the Nebrija Space in collaboration with Nebrija University, the Performance Series “Open Infinite. What the Body Remembers,” the One Shot Collectors Program, and the Patronage Program, reaffirming the fair’s commitment to supporting, mediating, and accompanying contemporary art at every stage.

We invite you to discover more about Art Madrid ’26 through the catalog of its 21st edition — a publication that, beyond serving as documentary memory, becomes a cartography of the present artistic moment and an open door to new ways of inhabiting contemporary art.