DDR Art Gallery is participating for the second consecutive year in the One Project program of Art Madrid. “Variaciones" by Virgina Rivas and "Avatares" by Roberto López can be seen at the Fair as part of the project "Salvajes. La cage aux fauves", curated by Fernando Gómez de la Cuesta.

The art works that the artist Virginia Rivas (Madrid,1981) will present in Art Madrid are part of a wide project called "Variaciones", in which the artist investigates about the color in our environment as well as the perception that we have of the same one depending on our emotional state and of the political and social situation of each one of us. Rivas analyzes our reality through colors.

The artist from Extremadura experiments with painting from a classical pictorial process, investigating forms and matter through abstraction and gesture. Rivas also relies on other artistic media such as photography in its various forms (polaroids, slides, etc.), video, light boxes or neon.

Virginia Rivas, Estudio AVNT, 2019

Virginia Rivas incorporates in some of her works small written texts, generally fragmented and sometimes practically illegible, but which are part of a narrative discourse that is totally intentional on the part of the artist, who integrates the graphics of the words as another plastic element of the composition. The expressiveness of the gesture, the colour, the light and the words are part of the abstraction inherent in her work, through which Rivas investigates intimacy and collectivity, establishing a fundamental game in which space and the spectator are indispensable.

The tandem of artists participating in Art Madrid with DDR Art Gallery is completed by Roberto López Martín (Madrid, 1982). "Los niños tele, el nuevo homo videns" includes a series of works with which he participates in "Salvajes". The artist works with different plastic languages that range from his studies in graphite and wax to his collages, present in another series such as "Fluffy Children". In Art Madrid, the artistic proposal is centred on his sculptures, known as "avatars" worked in fibreglass, resin and other materials.

Virginia Rivas, Estudio GTCCR, 2019

In "Avatares", López Martín focuses on childhood, on the innocence of the child when he begins to create a relationship with the objects around him, giving his toys imaginary values and personalizing them in a subjective way. This relationship, according to the artist, "is distorted when corporations enter to participate establishing uses and forms of consumption on the different toys, making these pre-format a way to relate to the world of children".

Roberto López's sinister avatars fight against all manipulation by the toy industry and in his "ready made" pieces he reconstructs and assembles pieces he finds in the garbage or selects consciously using his sense of humor and his most perverse sensibility.

RLM

Avatar Cowboy, 2017

Tela sobre fibra de vidrio y resina

150 x 30cm

DDR Art Gallery focuses its efforts on promoting the work of both established and emerging Latin American artists. In the virtual space of DDR Art Gallery, we find works from almost all disciplines: photography, sculpture, collage, illustration and urban art. DDR Art Gallery were pioneers in the direct sale of contemporary art on the Instagram platform, and without a doubt, the presence both online and in social networks, is the basis of the project since its inception. Its main motto is: "If you're not on Google, you don't exist."

RLM

Avatar El Elegido, 2016

Tela sobre fibra de vidrio y resina

150 x 30cm

Since it was founded in 2006, the gallery maintains two lines to promote the work of its artists: online sales and attendance at national and international fairs, with a clear focus on the contemporary art market. A third line of promotion and sale is the space of Theredoom Gallery in Madrid, where DDR Art Gallery organizes individual and thematic exhibitions. In addition to Rivas and López Martín, DDR promotes the work of six other artists: Annita Klimt, David Delgado Ruiz, David Heras Verde, Evangelina Esparza, José A. Vallejo and Raúl Casassola.

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: OFF LINE. JIMENA TERCERO

March 7 | 7:00 p.m. Galería de Cristal of the Palacio de Cibeles.

OFF LINE is a performance piece that reflects on the fragility of the body in the digital age. Our relationship with the outside world is mediated by a screen, which distances us further and further from physical contact and interpersonal relationships. Focusing on creating a digital identity causes the body to distance itself from the physical world and lose its memory.

Hyperconnectivity and fragmented attention lead to a more passive physical existence, characterised by reduced spontaneous movement and less direct sensory interaction. This raises fundamental questions: how is the concept of presence redefined when our relationship with the world relies on technological mediation? What will the experience of the body be like in a future where virtuality predominates over the physical? There is a risk of progressive bodily passivity: bodies that remain still, whose activity is determined by devices and whose memory is stored digitally. The fragmentation of physical experience and the primacy of technological representation create a scenario in which, although the body is visible, it is displaced from its original function as an agent of perception and action.

This conceptual framework invites reflection on the impact of digitisation on corporeality, memory and social relationships, and on the vulnerability and inertia experienced by bodies in environments that are increasingly mediated by technology.

ABOUT JIMENA TERCERO

Jimena Tercero (Madrid, 1998) is a multidisciplinary artist whose work explores the boundaries of the female body, identity, and the subconscious. She uses performance, video, and painting to address concepts such as memory, tangibility, and play. Tercero trained in painting with Lola Albín and in analog photography at Cambridge in 2014. She studied audiovisual direction from 2018 to 2020 with renowned figures such as Víctor Erice and the production company El Deseo. She is currently pursuing a Master's degree in Creative Direction at ELISAVA. She completed her performance training at La Juan Gallery. In 2011, she was part of the children's jury at the Isfahan Film Festival in Iran.

Her directed works include Private (2016) and Paranoid (2021), which were exhibited at the Aspa Contemporary Gallery. She has also worked on projects such as Yo, mi, me, conmigo (2023, Teatros del Canal), Inside Voices (2021, Conde Duque with Itziar Okariz), and La última regla (La Juan Gallery). She has directed fashion films for publishers and brands such as Puma, Dior, and Dockers. She has also provided art direction for artists such as Sen Senra and Jorge Drexler. Additionally, she directed the documentary Also Here for ArtforChange–La Caixa. She presented Out of View (Nebula Gallery), EDEN (White Lab Gallery), and Navel Bite (Sinespacio). She participates in residencies such as Medialab with Niño de Elche and Miguel Álvarez Fernández. In 2025, she will be part of the Special Jury of the Asian Film Fest in Barcelona and the International Cultural Museum of Assilah Art Residency in Morocco).