Art Madrid'26 – ES.ARTE GALLERY: CONSCIENCE, CONSTRUCTION AND REFLECTION

The artists José Benítez, Marifé Núñez, Johan Wahlstromand Ángela Lergo, are participating in Art Madrid with the gallery Es.Arte Gallery, which is making its debut at the fair with an exhibition proposal where awareness and reflection define the discourse.

Social criticism, feminism, individual and collective conscience, construction and destruction, are the main subjects of concern of the four artists who participate in Art Madrid with Es.Arte Gallery.

Johan Wahlstrom

The Art of Flying Part 2, 2019

Mixed media

101 x 76cm

Johan Wahlstrom

The Art of Flying Part 1, 2019

Mixed media

101 x 76cm

Johan Wahlstrom (Sweden, 1959), describes in his art work the current political and social panorama. His first approach to art was with music, but after twenty years of a successful musical career, he abandons rock and roll and begins to take an interest in painting.

The Swedish artist is a great observer of our time. In the art works belonging to his series "The Art of Flying ", the artist draws human figures in backgrounds of faded landscapes. Meanwhile, in his "Abstract Paintings ", Wahlstrom explores and creates more aggressive forms between positive and negative space, focusing more on abstract forms than on the narrative image. Despite of these changes, man remains the center of his art work, and in some of his abstractions a human face will dissolve among the stains of color. Wahlstrom explores the tense world political situation in which we live today. His art work evokes the absurdity we encounter every day as a result of forces beyond our control.

Marifé Núñez

I love Louis Vuitton, 2019

Neocollage

170 x 140cm

The artist from Cordoba Marifé Núñez, has participated in numerous individual and collective exhibitions throughout Europe. In her works, we can see a reflection of the individual, collective and even universal conscience.

The eye that sees everything appears in the most recent series of Marifé Núñez, "Ángeles perdidos", emphasized as a neon eye (God) that observes the spectator and leads him to reflection. Full of symbolism, it is a reflection that goes beyond the physical plane, reaching the spiritual plane through the incorporation of the Man of Vitruvius, a perfect combination between the square, represented by the body, and the spherical, which represents the spirit.

In her "Ángeles perdidos", the woman is the protagonist of the events. An empowered woman who with her gaze, naive but defiant at the same time, shows herself to be a prey to banality and still aware of the power that her wings manifest. According to the art critic Marin Ivanović: "her focus on women as the protagonists of events is very close to feminist theories of gender inversion, which place women in situations previously reserved for men".

José Benítez

Brahma 1, 2018

Oil on cardboard

97 x 67cm

José Benítez (Málaga, 1963), depicts in his art works two possible paths for the human being: construction or destruction.

Through his fantastic beings and his infinite labyrinths, Benítez takes us to a utopian world, full of sublime landscapes full of ruins and inhabited by monstrous characters. In his art works, the notion of time and space is non-existent, organic forms dissolve and objects are complex organisms in continuous metamorphosis.

José Benítez's chromatic palette is reduced to the minimum expression. A special care in the drawing added to the dominion of the lights and shades, accentuated in addition by the use of gray tonalities and sepias, they approach Benítez to the baroque painting, more concretely to the series of black paintings of Goya.

"The sunshine of your smile", Ángela Lergo

Finally, we will be able to see in the gallery's stand Es.Arte Gallery, the impressive three-dimensional representations of the Sevillian artist Ángela Lergo. Lergo seeks to generate sensations and emotions in the spectator through sculpture and performance, transforming it into "a feminine message".

“Her creations, always linked to Salustiano's painting, are fed by the painter's universe. They start from the timeless aesthetics of his paintings and then fly on their own,", says the journalist Margot Molina.

 


ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. PERFORMANCE CYCLE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: ALTA FACTURA. BY COLECTIVO LA BURRA NEGRA

March 4 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


"Discipline for Power.” Performance by La Burra Negra for Displacement of the Congress of Deputies by Roger Bernat. 2025.


Alta Factura subverts the conventional structure of the fashion runway to foreground the often-invisible processes that underpin artistic production. Through a series of conceptual textile works, the performance draws attention to the discipline of craft and the artist’s vulnerability, ultimately revealing those seams typically consigned to the margins, behind the scenes.


Colectivo La Burra Negra.


ABOUT EL COLECTIVO LA BURRA NEGRA

La Burra Negra is a nomadic performance art collective based in Málaga, founded in 2024 following its first residency in Totalán. The group is self-managed by Ascensión Soto Fernández, Gabriela Feldman de la Rocha, Sasha Camila Falcke, Sara Gema Domínguez Castillo, Sofía Barco Sánchez, and Regina Lagos González—six artists from diverse backgrounds and trajectories who met at the Hospital de Artistas at La Juan Gallery.

The collective brings together practitioners working across jewelry, painting, the performing arts, music, dance, cultural mediation, and arts management. Its activities include an annual residency in Totalán, the production of performative works, cultural mediation initiatives, and site-responsive interventions.

Since its inception, the collective has participated in the Periscopio series at La Térmica; presented A granel at the MVA in Málaga; carried out a number of actions in Totalán—the most recent during its second annual residency—and contributed its own proposals to the performance Displacement of the Congress of Deputies by Roger Bernat in Madrid.

At the core of La Burra Negra lies a commitment to collective creation and the exchange of knowledge. United in their effort to experiment with and disseminate performance art, the group explores the invisible dimensions of artistic labor—its temporalities, efforts, and relational dynamics, which so often remain unseen—as a form of critical affirmation.

Their practice emerges from dialogue and shared reflection, in the pursuit of decentralized spaces where art can be experienced and its processes made visible. Each residency and each action becomes an attempt to inhabit creation collectively, challenging conditions of precarity while fostering networks of care and collaboration that sustain both their own practice and that of those around them.