Art Madrid'26 – ES.ARTE GALLERY: CONSCIENCE, CONSTRUCTION AND REFLECTION

The artists José Benítez, Marifé Núñez, Johan Wahlstromand Ángela Lergo, are participating in Art Madrid with the gallery Es.Arte Gallery, which is making its debut at the fair with an exhibition proposal where awareness and reflection define the discourse.

Social criticism, feminism, individual and collective conscience, construction and destruction, are the main subjects of concern of the four artists who participate in Art Madrid with Es.Arte Gallery.

Johan Wahlstrom

The Art of Flying Part 2, 2019

Mixed media

101 x 76cm

Johan Wahlstrom

The Art of Flying Part 1, 2019

Mixed media

101 x 76cm

Johan Wahlstrom (Sweden, 1959), describes in his art work the current political and social panorama. His first approach to art was with music, but after twenty years of a successful musical career, he abandons rock and roll and begins to take an interest in painting.

The Swedish artist is a great observer of our time. In the art works belonging to his series "The Art of Flying ", the artist draws human figures in backgrounds of faded landscapes. Meanwhile, in his "Abstract Paintings ", Wahlstrom explores and creates more aggressive forms between positive and negative space, focusing more on abstract forms than on the narrative image. Despite of these changes, man remains the center of his art work, and in some of his abstractions a human face will dissolve among the stains of color. Wahlstrom explores the tense world political situation in which we live today. His art work evokes the absurdity we encounter every day as a result of forces beyond our control.

Marifé Núñez

I love Louis Vuitton, 2019

Neocollage

170 x 140cm

The artist from Cordoba Marifé Núñez, has participated in numerous individual and collective exhibitions throughout Europe. In her works, we can see a reflection of the individual, collective and even universal conscience.

The eye that sees everything appears in the most recent series of Marifé Núñez, "Ángeles perdidos", emphasized as a neon eye (God) that observes the spectator and leads him to reflection. Full of symbolism, it is a reflection that goes beyond the physical plane, reaching the spiritual plane through the incorporation of the Man of Vitruvius, a perfect combination between the square, represented by the body, and the spherical, which represents the spirit.

In her "Ángeles perdidos", the woman is the protagonist of the events. An empowered woman who with her gaze, naive but defiant at the same time, shows herself to be a prey to banality and still aware of the power that her wings manifest. According to the art critic Marin Ivanović: "her focus on women as the protagonists of events is very close to feminist theories of gender inversion, which place women in situations previously reserved for men".

José Benítez

Brahma 1, 2018

Oil on cardboard

97 x 67cm

José Benítez (Málaga, 1963), depicts in his art works two possible paths for the human being: construction or destruction.

Through his fantastic beings and his infinite labyrinths, Benítez takes us to a utopian world, full of sublime landscapes full of ruins and inhabited by monstrous characters. In his art works, the notion of time and space is non-existent, organic forms dissolve and objects are complex organisms in continuous metamorphosis.

José Benítez's chromatic palette is reduced to the minimum expression. A special care in the drawing added to the dominion of the lights and shades, accentuated in addition by the use of gray tonalities and sepias, they approach Benítez to the baroque painting, more concretely to the series of black paintings of Goya.

"The sunshine of your smile", Ángela Lergo

Finally, we will be able to see in the gallery's stand Es.Arte Gallery, the impressive three-dimensional representations of the Sevillian artist Ángela Lergo. Lergo seeks to generate sensations and emotions in the spectator through sculpture and performance, transforming it into "a feminine message".

“Her creations, always linked to Salustiano's painting, are fed by the painter's universe. They start from the timeless aesthetics of his paintings and then fly on their own,", says the journalist Margot Molina.

 

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART



In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.


Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.


Art Madrid '25. Photo by Lucas Amillano


GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION


The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.


Art Madrid '25. Photo by Lucas Amillano


NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.


Art Madrid '25. Photo by Lucas Amillano


The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.


Art Madrid '25. Photo by Lucas Amillano


PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES


One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.


Art Madrid '25. Photo by Lucas Amillano


In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.


Art Madrid '25. Photo by Lucas Amillano


Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.

WELCOME TO ART MADRID'26