Art Madrid'25 – INTERVIEW WITH: SEÑORA D A.K.A LARA PADILLA

Sra. D, a.k.a Lara Padilla

The work of Sra. D, a.k.a Lara Padilla, encompasses disciplines such as painting, sculpture, dance, performance and fashion design. Her mostly figurative pieces draw attention to female power representation through the deformation of the body and the use of colour and textures. A vindication of gender exhibited through large hands as powerful instruments of battle or heavy feet, an image of the perseverance of women in their struggle. Sra D. understands art not as a silent showcase but as a path of political action and intervention. Her aesthetic is an ode to diversity, portraying all types of bodies to promote a look of equality and authenticity.

Her performances dialogue face to face with his pictorial and sculptural creation through the similarity between compositions and trajectories. The use of body painting underlines the plastic aspect of his choreographies, while in his urban actions, he insists on this reflection on the construction of identity conceived as belief. However, the female body is not a prison for Sra. D. In her latest creations she has expanded her visual discourse by exploring African and pre-Columbian art, cultural chapters of great social and conceptual significance such as Genesis or the interaction of bodies with new supports and textures.

Lara Padilla

Black Tetris Magnum, 2021

Mixed media on canvas

400 x 300cm

Interview:

What inspires you when creating?

It can be an emotion, an image or a word; inspiration can come from anywhere. It inspires me a lot to travel, take pictures, and know new cultures. I think my painting is very experiential and is almost like a diary.

What are you working on recently?

I'm still working on the "tetrix" series, which I think still has a universe to explore. And in parallel, I am working with various characters in different contexts and with everyday scenes telling other types of stories. I also continue to work with movement and dance.

Tell us about your creative process.

The first thing I address about my creative process is the background of the work. I create a very free colour atmosphere and work with pigments, collage and different techniques to create a fracture in the work. From there, I create the composition that I have in sketch or photography. The case of the "tretix" is ​​much more experimental; I create a character and what I do is play. I fit in all the others and conquer all the space.

Are you participating for the first time in the fair? What do you expect from Art Madrid?

About my participation, what I hope is to be able to show my work, which is what I am most passionate about, with great enthusiasm. Also, meet other artists, nourish me with all that creativity and enjoy the fair.

Lara Padilla

Purple Tetris, 2021

Mixed media on canvas

170 x 170cm

Currently, your artistic expression is not limited to a discipline or a medium. How is Sra. D (not Lara Padilla) projected in the next five years?

Sra. D is projected in the next five years as a more experienced and mature artist. What I really value is the work of every day; I think this is a life career. It's what I do, work every day in the studio. From here, I will always find myself, and I will not be the one to set limits for myself.

Your work is mainly figurative and representative. What do you find in figuration that doesn't give you abstraction?

My work is primarily figurative, although I also have some abstract pieces. But I am fascinated by the human body. I love to explore its limits. I create characters with impossible and disproportionate bodies, very expressive, proposing other models of being a man and a woman, and valuing diversity freedom. I also work with the body as supports on occasions, especially in street performance actions with performance and dance, and I use body painting to tell these stories.

Lara Padilla

Rainbow tangle, 2021

Mixed media on canvas

170 x 170cm

Sra.D, A.K.A Lara Padilla, participates in Art Madrid with the gallery from Barcelona 3 Punts Galeria, together with the artists Alejandro Monge, Gerard Mas, Kiko Miyares, Luis Feo, Rodrigo Romero, Santiago Picatoste and Ramon Surinyac.



From July 7 to 9, 2025, the Balsera Palace will host the First Course on Collecting and Contemporary Art, an intensive 15-hour program that will explore the complex and fundamental question of taste in contemporary art. Organized by the Nebrija Institute of Arts and Humanities at Nebrija University and the Avilés City Council, in collaboration with 9915 — Association of Private Collectors of Contemporary Art and the Institute of Contemporary Art, the course offers a unique opportunity for analysis and debate on the dynamics that shape aesthetic and symbolic value in today’s art scene.


First Course on Collecting and Contemporary Art. Avilés, Asturias


The notion of taste, intrinsically tied to aesthetic judgments and power relations, has played a decisive role in the historical prominence of artists and artworks. However, contemporary art—marked by its breaking of conventions, diversity of media and techniques, and critical stance toward traditional canons—raises fundamental questions about the continued relevance of this concept.

This course will explore how the decisions made by key players in the art system—institutions, private collections, galleries, curators, and artists—continually redefine a field of taste shaped by aesthetic, symbolic, cultural, social, and political logics.


"¿But does it exist, and what is the prevailing taste of our time—so seemingly confused, fragmented, indecipherable?" - Omar Calabrese, The Neo-Baroque Era.


The academic program, directed by José Luis Guijarro Alonso, Director of the Master’s in Art Market and Related Business Management at Nebrija University, and Pablo Álvarez de Toledo, Head of the Department of Arts at Nebrija University and the Nebrija Institute of Arts and Humanities, will bring together a distinguished group of national experts—including collectors, critics, curators, gallery owners, and artists—whose contributions will address key issues in shaping aesthetic, symbolic, and market value in today’s art world.


PROGRAM

MONDAY, JULY 7

9:30 AM Registration.

10:00 AM Course Opening Nebrija University Avilés City Council Presented by Rosario López Meras – President of the Association of Contemporary Art Collectors, 9915, and Adrián Piera – President of the ICA, Institute of Contemporary Art.

10:30 AM Course Presentation By José Luis Guijarro Alonso – Art Historian and Anthropologist, Researcher, and Director of the Master’s in Art Market and Related Business Management at Nebrija University.

11:00 AM Coffee Break.

11:30 AM Panel Discussion The Taste of Private Collecting as a Prelude to History. Speakers: Candela Álvarez Soldevilla – Entrepreneur and Collector; Javier Quilis – INELCOM Collection; José Miguel Vegas Valle – Collector. Moderator: Luis Feás – Critic and Curator.

1:00 PM Lunch Break.

3:30 PM Individual Lecture On Good Taste in Contemporary Art. Speaker: Marisol Salanova – Curator and Art Critic, Director of Arteinformado.

4:45 PM Panel Discussion The Influence of Galleries in Shaping Contemporary Taste. Speakers: Elba Benítez – Gallerist; Ricardo Pernas – Gallerist (Arniches 26); Aurora Vigil-Escalera – Gallerist. Moderator: Rafael Martín – Coleccion@casamer.

6:00 PM End of Day.

6:30 PM Activity and Cocktail Visit to the Exhibition Asturian Artists in the Pérez Simón Collection – Avilés.

TUESDAY, JULY 8

10:00 AM Individual Lecture Contemporary (Bad) Taste: Kitsch, Camp, and Tacky. Speaker: Julio Pérez Manzanares – Autonomous University of Madrid.

11:00 AM Coffee Break.

11:30 AM Panel Discussion Institutions and the Formation of Contemporary Taste. Speakers: Virginia López – Artist, Founder of PACA_Proyectos Artísticos Casa Antonino; Julieta de Haro – Artistic Director of CentroCentro; Carlos Urroz – Director of Institutional Relations, Museo Nacional Centro de Arte Reina Sofía. Moderator: Laura Gutiérrez – Director, School of Art of Oviedo.

1:00 PM Lunch Break.

3:30 PM Panel Discussion Beyond the Eye: The Taste for Ethical, Ecological, Social, or Political Concerns in Contemporary Art. Speakers: Semíramis González – Independent Curator; Eugenio Ampudia – Artist; Claudia Rodríguez-Ponga – Independent Curator. Moderator: Bárbara Mur Borrás – PhD in Fine Arts.

5:00 PM End of Day.

5:30 PM Activity Visit to the Studiolo Exhibition – Candela Álvarez Soldevilla Collection.

WEDNESDAY, JULY 9

9:30 AM Meeting with Asturian Artists Speakers: María Castellanos – Artist; Avelino Sala – Artist; Consuelo Vallina – Artist. Moderator: Pablo Álvarez de Toledo – Nebrija University.

11:00 AM Activity Visit to the Niemeyer Center – Avilés.

Course Closing Ceremony.





This course is designed for art professionals, collectors, researchers, and students seeking an in-depth analysis of the dynamics that shape taste and collecting practices in contemporary art. Adopting a critical and multidisciplinary perspective, it provides a unique opportunity to rigorously examine the aesthetic, symbolic, and structural factors that underpin the legitimization of contemporary art.