Sra. D, a.k.a Lara Padilla

The work of Sra. D, a.k.a Lara Padilla, encompasses disciplines such as painting, sculpture, dance, performance and fashion design. Her mostly figurative pieces draw attention to female power representation through the deformation of the body and the use of colour and textures. A vindication of gender exhibited through large hands as powerful instruments of battle or heavy feet, an image of the perseverance of women in their struggle. Sra D. understands art not as a silent showcase but as a path of political action and intervention. Her aesthetic is an ode to diversity, portraying all types of bodies to promote a look of equality and authenticity.

Her performances dialogue face to face with his pictorial and sculptural creation through the similarity between compositions and trajectories. The use of body painting underlines the plastic aspect of his choreographies, while in his urban actions, he insists on this reflection on the construction of identity conceived as belief. However, the female body is not a prison for Sra. D. In her latest creations she has expanded her visual discourse by exploring African and pre-Columbian art, cultural chapters of great social and conceptual significance such as Genesis or the interaction of bodies with new supports and textures.

Lara Padilla

Black Tetris Magnum, 2021

Mixed media on canvas

400 x 300cm

Interview:

What inspires you when creating?

It can be an emotion, an image or a word; inspiration can come from anywhere. It inspires me a lot to travel, take pictures, and know new cultures. I think my painting is very experiential and is almost like a diary.

What are you working on recently?

I'm still working on the "tetrix" series, which I think still has a universe to explore. And in parallel, I am working with various characters in different contexts and with everyday scenes telling other types of stories. I also continue to work with movement and dance.

Tell us about your creative process.

The first thing I address about my creative process is the background of the work. I create a very free colour atmosphere and work with pigments, collage and different techniques to create a fracture in the work. From there, I create the composition that I have in sketch or photography. The case of the "tretix" is ​​much more experimental; I create a character and what I do is play. I fit in all the others and conquer all the space.

Are you participating for the first time in the fair? What do you expect from Art Madrid?

About my participation, what I hope is to be able to show my work, which is what I am most passionate about, with great enthusiasm. Also, meet other artists, nourish me with all that creativity and enjoy the fair.

Lara Padilla

Purple Tetris, 2021

Mixed media on canvas

170 x 170cm

Currently, your artistic expression is not limited to a discipline or a medium. How is Sra. D (not Lara Padilla) projected in the next five years?

Sra. D is projected in the next five years as a more experienced and mature artist. What I really value is the work of every day; I think this is a life career. It's what I do, work every day in the studio. From here, I will always find myself, and I will not be the one to set limits for myself.

Your work is mainly figurative and representative. What do you find in figuration that doesn't give you abstraction?

My work is primarily figurative, although I also have some abstract pieces. But I am fascinated by the human body. I love to explore its limits. I create characters with impossible and disproportionate bodies, very expressive, proposing other models of being a man and a woman, and valuing diversity freedom. I also work with the body as supports on occasions, especially in street performance actions with performance and dance, and I use body painting to tell these stories.

Lara Padilla

Rainbow tangle, 2021

Mixed media on canvas

170 x 170cm

Sra.D, A.K.A Lara Padilla, participates in Art Madrid with the gallery from Barcelona 3 Punts Galeria, together with the artists Alejandro Monge, Gerard Mas, Kiko Miyares, Luis Feo, Rodrigo Romero, Santiago Picatoste and Ramon Surinyac.

ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. CICLO DE PERFORMANCE X ART MADRID'26

Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.

PERFORMANCE: OFF LINE. JIMENA TERCERO

March 7 | 7:00 p.m. Galería de Cristal of the Palacio de Cibeles.

OFF LINE is a performance piece that reflects on the fragility of the body in the digital age. Our relationship with the outside world is mediated by a screen, which distances us further and further from physical contact and interpersonal relationships. Focusing on creating a digital identity causes the body to distance itself from the physical world and lose its memory.

Hyperconnectivity and fragmented attention lead to a more passive physical existence, characterised by reduced spontaneous movement and less direct sensory interaction. This raises fundamental questions: how is the concept of presence redefined when our relationship with the world relies on technological mediation? What will the experience of the body be like in a future where virtuality predominates over the physical? There is a risk of progressive bodily passivity: bodies that remain still, whose activity is determined by devices and whose memory is stored digitally. The fragmentation of physical experience and the primacy of technological representation create a scenario in which, although the body is visible, it is displaced from its original function as an agent of perception and action.

This conceptual framework invites reflection on the impact of digitisation on corporeality, memory and social relationships, and on the vulnerability and inertia experienced by bodies in environments that are increasingly mediated by technology.

ABOUT JIMENA TERCERO

Jimena Tercero (Madrid, 1998) is a multidisciplinary artist whose work explores the boundaries of the female body, identity, and the subconscious. She uses performance, video, and painting to address concepts such as memory, tangibility, and play. Tercero trained in painting with Lola Albín and in analog photography at Cambridge in 2014. She studied audiovisual direction from 2018 to 2020 with renowned figures such as Víctor Erice and the production company El Deseo. She is currently pursuing a Master's degree in Creative Direction at ELISAVA. She completed her performance training at La Juan Gallery. In 2011, she was part of the children's jury at the Isfahan Film Festival in Iran.

Her directed works include Private (2016) and Paranoid (2021), which were exhibited at the Aspa Contemporary Gallery. She has also worked on projects such as Yo, mi, me, conmigo (2023, Teatros del Canal), Inside Voices (2021, Conde Duque with Itziar Okariz), and La última regla (La Juan Gallery). She has directed fashion films for publishers and brands such as Puma, Dior, and Dockers. She has also provided art direction for artists such as Sen Senra and Jorge Drexler. Additionally, she directed the documentary Also Here for ArtforChange–La Caixa. She presented Out of View (Nebula Gallery), EDEN (White Lab Gallery), and Navel Bite (Sinespacio). She participates in residencies such as Medialab with Niño de Elche and Miguel Álvarez Fernández. In 2025, she will be part of the Special Jury of the Asian Film Fest in Barcelona and the International Cultural Museum of Assilah Art Residency in Morocco).