Art Madrid'26 – ONE PROJECT REDEFINES ITS PROPOSAL UNDER THE TITLE OF “SALVAJES. LA CAGE AUX FAUVES”

The One Project program brings in this edition a risky bet: investigate and question the forms and concepts that dominate the art market. Fashions, trends, the imposition of globalization, the mainstream... All of them are elements that make up the flows, institutions and legitimizing actions of professional artistic development.

One Project has evolved since its creation. This is a transversal proposal that in last years step up its position as one of the fundamental pillars of the fair. Art Madrid wanted to go one step further to celebrate its 15th edition and expand and transform it into a space for dialogue and confrontation that includes a greater number of participating artists working from a different perspective to understand contemporary creation.

Julio Anaya

Edouard Vuillard - Jarrón de flores, 2019

Acrílico sobre cartón

56 x 57cm

Virginia Rivas

Sentir, 2018

Acrylic and graphite on canvas

162 x 130cm

One of the great innovations of One Project is the incorporation of the critic and curator Fernando Gómez de la Cuesta that under the enigmatic title of "Salvajes. La cage aux fauves" presents a selection of 9 artists who will exhibit their work in a differentiated space of symbiosis, stimulation, contact and friction.

Fernando Gómez de la Cuesta makes his proposal classic starting dichotomy that existed between the great official salons and those creators who subverted the state of the question, either from their convoluted participation in them or by generating new alternative devices such as independent or des refusés salons.

Alona Harpaz

Art in America, 2019

Acrilico, spray y colores industriales sobre lienzo

70 x 100cm

In spite of dynamics of the art market to which a contemporary art fair is subject, Art Madrid is committed to have a space for research and reflection to give visibility to artists who are on the way of creation autonomously and personally without responding directly to the majority guidelines. Artists who travel through their own, unusual spaces and who resist being part of the globalisation.

From the visible questioning made by Julio Anaya of classical painting to the investigation of colour and his perception according to the emotional, social and political state that Virginia Rivas performs. Also through the collection and reconstruction that Roberto López creates to make us visible the consumerism and mega-production to which we are exposed without pause for digestion.

RLM

Avatar Cowboy, 2017

Tela sobre fibra de vidrio y resina

150 x 30cm

RLM

Avatar El Elegido, 2016

Tela sobre fibra de vidrio y resina

150 x 30cm

The artists of One Project generate this analogy with the classic halls that now travel from academics and stand on trends that create apparent success guidelines without depth discursive.

Itineraries that run out of the usual and conventional without leaving indifferent as to the work of Andrés Planas where converges primitive art, especially Africans, with sex, with excesses, with taboos, with violence and with death, with religion and against the church, against repressive teaching.

Andrés Planas

Los 12 Apóstoles, 2019

Mixed media

35 x 15cm

The audience can observe a creation-destruction dialogue, with respect but without fear, with irreverence, without formality to give space to resistance. Transgress beauty as the artist Alona Harpaz or transit in magical spaces between nature and the human through the sculpture of Nicolás Laiz Placeres.

Alona Harpaz

Betty Blue, 2019

Acrílico y spray sobre lienzo

100 x 80cm

Nicolás Laiz

Política Natural I, 2018

Resina, fibra de vidrio, aridos y pintura doble componente

80 x 30cm

Art is a place of meeting and life, the magic of creation is deposited in a calm look of the environment as Santiago Palenzuela do with his spatula or by focusing on the current way of life between superficiality and imposture, between the psychic and the genuine as Juan Carlos Batista does with his images.

Juan Carlos Batista

Psicopaisaje II, 2015

Impresión digital en papel de algodón

60 x 77cm

Santiago Palenzuela

Ola, 2019

Oil on canvas

200 x 200cm

One Project is a program where there is also space for the fusion between classical art and urban art like the duo PichiAvo creating a new conceptual language handy for a heterogeneous audience.

PichiAvo

Orphical Hymn III to Nike, 2019

Mixed media on canvas

120 x 90cm

 

ART MADRID '26: 21 YEARS OF CONTEMPORARY ART



In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.


Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.


Art Madrid '25. Photo by Lucas Amillano


GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION


The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.


Art Madrid '25. Photo by Lucas Amillano


NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.


Art Madrid '25. Photo by Lucas Amillano


The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.


Art Madrid '25. Photo by Lucas Amillano


PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES


One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.


Art Madrid '25. Photo by Lucas Amillano


In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.


Art Madrid '25. Photo by Lucas Amillano


Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.

WELCOME TO ART MADRID'26