Shiras Galería is committed to local art in Valencia and in its proposal for this edition of Art Madrid will exhibit work by five Valencian artists and one Zamorano artist based in Valencia.

Founded by its current artistic director Sara Joudi, Shiras Galería gives visibility to local art in Valencia, as well as national and international art, and does so by offering a proposal for inter-generational dialogue between consolidated artists and young emerging artists with great potential for projection. Shiras Galería is a member of the Consortium of Spanish Contemporary Art Galleries, LaVAC (Association of Contemporary Art Galleries of the Valencian Community) and the Valencia Excellence Association.

Toño Barreiro (Zamora, 1965) participates in Art Madrid with the proposal "FLEXIA". Defined by the critic David Barro as: Toño Barreiro proposes to "visualize the skeleton of thought" and for this he uses the line in a sinuous and organic way (Dibujos infinitos) or as a constructor of flat geometries, which combines and moves in structures of inspired three-dimensionality (Flexia). Through new technologies and creative processes, the artist in his most recent creations, develops a multidisciplinary work in which he breaks completely with the traditional frame, making a symbiosis between painting and sculpture.

Toño Barreiro

Dibujos infinitos, 2018

Tinta plana sobre papel fabriano

90 x 75cm

Juan Olivares (Catarroja, 1973) is an interdisciplinary artist who works between China and Spain. This year he is participating in the fair with the new series "Beyond", recently exhibited in Shiras, where he shows us his ambivalence between the poetics of the Eastern world and the chromatism of Western abstract expressionism. He makes his collages by cutting out fragments of vinyl paint on paper and combining them in such a way that the formal limits of the pictorial are lost. For the artist, abstraction is the search for the essential in the work.

Horacio Silva (Valencia, 1950), is included in Art Madrid's proposal with his recent project "intro-versions". Prestigious artist and professor of the UPV. In his work, mimesis and colour come together in a clear transition towards abstraction in which the element of "unity" makes it an explosive display of emotional tensions, from which his unmistakable personal stamp emerges.

Josep Tornero

St, 2019

Oil on canvas

100 x 100cm

Horacio Silva

Mi isla preferida, 2019

Acrylic on canvas

155 x 120cm

The artist Josep Tornero (Valencia,1973), uses his masterful command of classical technique in a contemporary way and with it constructs a work in which he travels through the image both from the real and the imaginary where we find a constant concern for the material element that configures it. Her black and white oils, which resemble a blurred photograph, have a background of social denunciation. This makes her paintings unmistakable.

Nanda Botella

Serie grietas franjas y color, 2018

Mixed media

70 x 70cm

Shiras' exhibition proposal for Art Madrid is completed with the most recent works by Nanda Botella and Cristina Gamón. Stripes, colours and cracks merge in the work of Nanda Botella (Valencia,1960), who expresses her deepest feelings through a metaphysical language. The colour in its maximum vivacity is a fundamental element in the current work of the Valencian artist, in contrast to the work based on black and white of her previous stage. On the other hand, the young artist Cristina Gamón (Valencia, 1987), makes a show of color on surfaces of metacrilate, obtaining diffused and transparencies that remember to primary organisms submerged in aqueous spaces located in abysmal depths.

Fight of Giants relies on figurative art and the character of the Pink Panther to reclaim the democratic genetics of Pop Art and its proximity to the audience, characteristics of an artistic movement inspired by the aesthetics of everyday life and consumer goods of the time. As a "happening" in the heart of the city of Madrid, Fight of Giants advocates for artistic creation in a context where the aesthetic experience is more exciting and better understood by all audiences.

Sixty years ago, Blake Edwards released in Technicolor one of the most unique feature films of the time, which would not only become part of American culture but also the international comedy universe: "The Pink Panther", whose original title was translated into Spanish as "La Pantera Rosa."

Jaime Sancorlo. Desert Patrol, 2023

In 1963, this comedy-thriller entered the bloodstream of the emerging Pop movement in a New York City experiencing the birth of the "Factory" and the rise of Truman Capote. Just like previous editions of this informal field called Battle of Giants (a "non-gallery," a "non-museum," something more than an exhibition, as defined by its creators Gabriel Suarez and Aleix Gordo), The Pink Panther reappears this time as a timeless character capable of questioning and reclaiming the present through its staging.

Sandra Rojo Picón. No9. Blue Pink, 2023

After obtaining the copyright for its reproduction directly from MGM, the commemoration of the character's sixtieth anniversary brings together thirty giant artists who, struggling together, will visually reflect on their socio-cultural present, their artistic and visual context, and their work, around the figure of the iconic pink character. At the same time, the proposal promotes the revision of the context of art itself, wanting to establish new places for the shared experience between the work of art and the observer, going beyond the apathy of the white cubes or those artistic spaces of restricted access belonging to the past.

Illan Argüello. Más chula que el 8, 2023

In this way and demonstrating the bitter heritage typical of British comedy or "pop art", the film was connected to the impulses of the new artistic exploration that was emerging in the streets of the Big Apple, far from the chromatic and gestural abstraction that had occupied the art scene during the previous decade, with figures such as Mark Rothko, Barnet Newman, Willem de Kooning or Jackson Pollock, and which had also moved away from the gaze of the general public. The New York cultural scene was now moving forward in the hands of the film director towards other paths closer to mass culture and its daily life through humor. In his first solo appearance in the Pink Phink chapter, the Pink Panther establishes a colorful battle against the traditional hegemony of the color blue, using all kinds of tricks and strategies to dye the world with his favorite color. In only six minutes in which we could see pictorial inheritances coming from the chromatic universe of Rothko and other abstract creators, the character is introduced in the culture of the politically incorrect.

Iker Serrano. Space Action Panther,2023

The Pink Panther represents irony, discontent or cynicism, clichés of what we know as "British sense of humor" and will always act, throughout all the short films, as a timeless critic, as an inter-generational and individual being capable of conversing with the general public, regardless of their origin, culture or age.

Mario Soria. Pink Biker,2023

Under the apparent atmosphere of humor and comedy of the new interpretations made by the thirty selected giants, there is a world of diverse readings and messages to be discovered, which will be unveiled by the other fundamental agent of any artistic process: the audience.

Fight of Giants gathers this time thirty individual visions for a collective and close reconstruction of its present, where the general public has been invited to participate with total freedom in this exciting process.

From May 25th to 28th. From 11h to 20h.

📍Hotel ONLY You Barquillo.

C/ del Barquillo, 21. Madrid.