Art Madrid'26 – Onay Rosquet – Neceser #3 (2022)

Onay Rosquet | Neceser #3

Onay Rosquet

Neceser #3, 2022

Oil on canvas

80 x 80 cm

Collage Habana

La Habana, Cuba

Programa General B10

Contact

about Onay Rosquet

La Habana (Cuba), 1987

As a painter, Onay’s work has transitioned from the influence of Beaux-Arts to a hyper-realism of voice. From 2000 to 2001, he participated in the workshop Antonio Eiriz, taught by Professor José Pérez Olivares. From 2010 to 2014, he worked in the Contemporary Art Workshop in Havana. His work has been featured in several personal exhibitions in Havana from 2014 to 2016. He has also participated in many collective exhibitions, including two at the Fabrica de Arte (FAC) in Havana. His work was featured in XII Havana Biennale in 2015. Onay’s works can be found in private collections in the United States, Colombia, Italy, Germany, Mexico, Norway, Spain and Cuba.

"My work is a constant reflection on the experiences accumulated throughout my past and present. Oil painting is my constructive tool, and through accumulations of objects I play with composing and opening dialogues about different current scenarios and situations, such as migration, bureaucracy, and time. The objects—often inherited from one generation to the next—are the means through which I am able to show the public my vision of contemporary realities and events. The creative process almost always begins with the drawing of an empty box; that is my starting point in each piece. It is like my blank canvas, perfect for beginning to compose my next pictorial discourse with objects. Every object is a key element, just like its placement in space: nothing is random.

In the end, when the work is finished and the viewer stands before it, each person constructs their own story, almost always very different from the one that originally gave rise to the piece."

Onay Rosquet 's works

Onay Rosquet | Vajilla de verano

Onay Rosquet

Vajilla de verano, 2025

Oil on canvas

100 x 100 cm

Onay Rosquet | Ping ball

Onay Rosquet

Ping ball, 2025

Oil on canvas

100 x 100 cm

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Dave Cooper | Creamsicle 2

Dave Cooper

Creamsicle 2, 2023

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Fabian Treiber | You Wouldn’t Believe, What I’ve Been Through

Fabian Treiber

You Wouldn’t Believe, What I’ve Been Through, 2025

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Joost Vandebrug | 25-29

Joost Vandebrug

25-29, 2025

Transferencias de emulsión fotográfica sobre papel morera

135 x 100 cm

Lorenzo Fernández | Justicia

Lorenzo Fernández

Justicia, 2023

Óleo y acrílico sobre aluminio

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Maxim Wakultschik | Life doesn’t frighten me

Maxim Wakultschik

Life doesn’t frighten me, 2025

Colored wooden sticks

35 x 26 x 8.6 cm

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Sergio de la Flora

Nihonzaru, 2023

Óleo sobre resina y madera

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Steen Ipsen | Ellipse 19

Steen Ipsen

Ellipse 19, 2022

Cerámica esmaltada en negro y PVC amarillo

43 x 42 x 45 cm

Tadanori Yamaguchi | Ramas en blanco

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Mármol blanco

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Xavi Noble | What lies beneath

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What lies beneath, 2025

Acrílico y spray sobre tela

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Ana Monsó | Después del silencio 7

Ana Monsó

Después del silencio 7, 2025

Acrílico y tinta sobre lienzo

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CHIU Huai-Hsuan | Read After Cutting 30

CHIU Huai-Hsuan

Read After Cutting 30, 2025

Various types of wood, metal, gear, motor

43.1 x 30.6 x 9.5 cm

Crystal Lupa | One Hundred Years of Solitude

Crystal Lupa

One Hundred Years of Solitude, 2023

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DIMASLA (Diana + Álvaro) | Sobre los márgenes del cielo

DIMASLA (Diana + Álvaro)

Sobre los márgenes del cielo, 2024

Polvo de cemento en suspensión, lluvia, sol, viento, polen de tomillo y romero sobre acrílico en tela de algodón natural cosida, expuesta sobre suelo de arcilla calcáreo durante cuatro meses

130 x 162 cm