Art Madrid'26 – INTERVIEW WITH ALBERT BONET

Albert Bonet

Winner of the International Painting Prize in the Realism category at the latest edition of the FIABCN (Barcelona International Art Fair), Albert Bonet's work is characterized by an acid social criticism inspired by his closest surroundings. Through this interpretation of the world around him, this young artist shows both conceptual and technical maturity, which interferes with his work by playing with POP themes and with a markedly realistic style.

Artistically, he has been trained at the Barcelona Academy of Art. He has been selected in the DKV Young Art Contest ''Fresh Art'', where he was awarded an honorable mention at the Polytechnic University of Valencia (2015). This promising artist has two individual exhibitions to his credit, the last one last November at the Mutuo Gallery in Barcelona. He now exhibits for the first time in Art Madrid at the hands of Inéditad Galería (Barcelona).


Interview:


Tell us about your creative process

My creative process always starts with an idea, which I can come up with while walking down the street or in the bathroom of my colleague's house doing my business, and then I mature that idea for a few weeks, giving it shape, sketching a lot, and then I meet up with models, who are always people around me, my colleagues or people who are close to me, I do a photo session with them and then I edit those photos until I make a photographic montage that's quite close to the idea I had initially, always taking it to my own territory, adding social criticism, which, given the state of things in the world, is a lot of work. The last step is to paint in oils, give it shape, take the oils and lock yourself up at home until the idea comes out.

Albert Bonet

1984, 2022

Oil on canvas

162 x 130cm

What are you working on at the moment?

Right now I'm currently working on the piece I have behind me, which is a painting that I'm going to present at Art Madrid'22 with the gallery Inéditad, and the truth is that it's been quite a challenge because I have to finish it on time and I've locked myself up at home to paint for seven or eight hours a day until it's ready. Otherwise, it won't arrive in time for the catalogue and I have to make sure it gets there. Apart from that, this year is packed with a few urban art festivals with huge graffiti, a few exhibitions in a number of places. I'll keep you posted. There are several commissions for paintings, so the year is off to a great start, full of energy. Looking forward to it.


What do you expect from your participation in Art Madrid?

Exhibiting at Art Madrid is a dream come true for me. I've been locked up at home for a long time, mentally beating myself up, painting all day long, and to be able to take my work out of Barcelona for me is already a huge dream come true. It fills me with enthusiasm and energy to continue painting and I hope to give visibility to my work, above all outside Barcelona, and step by step, to be able to make a living from it.

Albert Bonet

La Duquesa de Sants, 2021

Oil on canvas

81 x 59cm

What inspires you when creating?

When it comes to creating, what inspires me most is my surroundings, all my surroundings. The places I go to, the objects I use every day in my house, my friends, my mates' houses, the city where I live, the cities I go to most frequently, everything that surrounds me. My everyday life is what inspires me when I create.


You are a multidisciplinary artist who started out in graffiti and tattooing. What have these two disciplines contributed to your work as a painter?

Graffiti, tattooing and painting are artistic facets that complement each other perfectly because you can apply concepts from each of them to the other. In the end they all have an individual magic that fills me a lot and I never want to stop doing any of them.


Albert Bonet participates for the first time in Art Madrid with Inéditad gallery, along side with Jaime Sancorlo, Jordi Diaz Alàma, Lautaro Oliver, Núria Farré y Raúl Álvarez Jiménez.



ART MADRID '26: 21 YEARS OF CONTEMPORARY ART



In 2026, Art Madrid will celebrate its 21st edition, further consolidating its position as a leading contemporary art fair in Spain. From 4 to 8 March, the fair will bring together thirty-five national and international galleries at the Galería de Cristal of the Palacio de Cibeles. Returning to its date during Madrid Art Week, Art Madrid reaffirms its pioneering role by expanding the fair calendar and offering an open and enriching dialogue in which diverse artistic proposals coexist.


Throughout its history, Art Madrid has established itself as a leading presence in the contemporary art scene. It is renowned for its commitment to promoting both emerging and established galleries, and for its dedication to making contemporary art accessible to a diverse range of audiences.

Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity in its offering, respecting the identity of each exhibitor and promoting a plural creative ecosystem that reflects the richness and differences of the current art scene.


Art Madrid '25. Photo by Lucas Amillano


GALLERY PROGRAM: AN ACTIVE MAP OF CONTEMPORARY CREATION


The Gallery Program is at the heart of Art Madrid’26. For this edition, thirty-five national and international galleries will participate in a space that celebrates experimentation, hybrid languages, and the latest artistic production. The selection of proposals constitutes a representative mosaic of the aesthetics, discourses, and contemporary practices that are shaping the present of art in Europe.

The Galería de Cristal of the Palacio de Cibeles will once again be transformed into a dynamic space where the exhibitions interact with each other, inviting the public to explore visual narratives that show the evolution of contemporary languages. Works that experiment with new media, formal investigations that reformulate traditional techniques, pieces that reflect on the links between technology and humanity, and poetic approaches that explore territory, identity, or memory make up a plural, stimulating journey open to multiple interpretations.

Art Madrid also continues to strive to become a platform for discovery, allowing both professionals and visitors to identify new voices and consolidate relationships with artists who are already emerging as leaders within the contemporary cultural landscape.


Art Madrid '25. Photo by Lucas Amillano


NATIONAL AND INTERNATIONAL EXHIBITORS

Thirty-five galleries are participating in this edition, twenty-seven of which are returning after finding the fair to be a favourable environment in which to strengthen connections, increase visibility and promote their artists' work on an international scene.

Twenty-six of these are Spanish galleries from various regions of the country: 3 Punts Gallery (Barcelona), Alba Cabrera Gallery (Valencia), Aurora Vigil-Escalera (Gijón), CLC ARTE (Valencia), DDR Art Gallery (Madrid), Est_ArtSpace (Madrid), g • gallery (Barcelona), Galería Arancha Osoro (Oviedo), Galería BAT alberto cornejo (Madrid), Galería Beatriz Pereira (Plasencia), Galería Carmen Terreros (Zaragoza), Galería Espiral (Noja), Galería La Mercería (Valencia), Galería Luisa Pita (Santiago de Compostela), Galería María Aguilar (Cadiz), Metro Gallery (Santiago de Compostela), Rodrigo Juarranz Gallery (Aranda de Duero), Sigüenza Gallery (Sigüenza), Gerhardt Braun Gallery (Palma de Mallorca | Madrid), Inéditad Gallery (Barcelona), Kur Art Gallery (San Sebastián), LAVIO (Murcia | Shanghai), Moret Art (A Coruña), Pigment Gallery (Barcelona), Shiras Galería (Valencia) and Uxval Gochez Gallery (Barcelona). This selection of galleries highlights the importance of the Spanish scene and its contribution to the development of the contemporary cultural ecosystem.


Art Madrid '25. Photo by Lucas Amillano


The nine international galleries participating in this edition are: Banditrazos Gallery (Seoul, South Korea), Collage Habana (Havana, Cuba), Galeria São Mamede (Lisbon, Portugal), Galerie ONE (Paris, France), KANT Gallery (Copenhagen, Denmark | Palma de Mallorca, Spain), Loo & Lou Gallery (Paris, France), Nuno Sacramento Arte Contemporânea (Ílhavo, Portugal), Trema Arte Contemporânea (Lisbon, Portugal) and Yiri Arts (Taipei, Taiwan). Their participation broadens the fair's international reach, promoting creative and conceptual exchange between diverse artistic perspectives.

In addition, eight new galleries have been added to the list of exhibitors:

Banditrazos Gallery (Seoul, South Korea), Est_ArtSpace (Madrid, Spain), g • gallery (Barcelona, Spain), Galería Beatriz Pereira (Plasencia, Spain), Galerie ONE (Paris, France), Galería Sigüenza (Sigüenza, Spain), Gerhardt Braun Gallery (Palma de Mallorca | Madrid, Spain) and KANT Gallery (Copenhagen, Denmark | Palma de Mallorca). These additions reinforce Art Madrid's commitment to continuous renewal and openness to spaces that are exploring new approaches to contemporary art.


Art Madrid '25. Photo by Lucas Amillano


PARALLEL PROGRAM: A REFLECTION ON THE ‘SPECIES’ OF SPACES


One of the great attractions of Art Madrid is its Parallel Program, which this time delves into the notions of: ‘Fragments, relationships, and imaginary distances.’ This approach turns the fair into an expanded space, where art, audience, architecture, and memory converge. Thus, the Parallel Program proposes a critical approach to the container of the event itself. Taking as a reference the reading of Species of Spaces by Georges Perec (Perec, Georges. Species of Spaces. Montesinos, 2004), it adopts a marked interest in the everyday, that which usually goes unnoticed, the infra-ordinary, giving each corner of the venue its own narrative value.

Another of the conceptual references of this edition is based on an analysis of Édouard Glissant's Poetics of Relation (Glissant, Édouard. Poetics of Relation; Prologue by Manuel Rebón. - 1st ed. - Bernal: Universidad Nacional de Quilmes, 2017.), which advocates the coexistence of differences and the importance of non-totalizing links, which are extrapolated to the art system, proposing an understanding of it as a network of exchanges and connections that respect the uniqueness of each cultural practice and actor.

‘Imaginary distances,’ understood as subjective journeys and affective cartographies traced by visitors, thus become the conceptual axis that articulates this program. This perspective transforms the Fair into an experience that goes beyond visual contemplation, turning it into a territory that can be collectively reconstructed, without losing sight of the paths travelled by the individuality of each voice.

In this edition, the Parallel Program encourages visitors to engage with the space and its projects, turning contemplation into an opportunity to question and interact with things that might otherwise go unnoticed in everyday life.


Art Madrid '25. Photo by Lucas Amillano


In the preview and during Art Week, Art Madrid'26 offers a range of experiences that allow the public to get closer to the creative process and practices of the participating artists. Among the returning initiatives are the Interview Program, Curated Walkthroughs, the third edition of Open Booth, dedicated to emerging creation, the presentation of Espacio Nebrija, a university project in collaboration with Nebrija University, alongside the fair’s established Performance Cycle.

In addition, the One Shot Collectors Program and the second edition of the Patronage Program are back. These initiatives seek to strengthen the bond between collectors, artists, and the public, promoting ethical, informed, and responsible practices in collecting and patronage.


Art Madrid '25. Photo by Lucas Amillano


Art Madrid'26 has established itself as a dynamic meeting place, where diverse experiences, discourses, and practices converge. Far from being a fair curated under a single curatorial line, Art Madrid promotes diversity as a structuring principle, respecting the identity of each exhibitor and fostering a plural creative ecosystem. This plurality is not merely formal, but translates into a network of practices, languages, and perspectives that reflects the complexity, richness, and tensions of the contemporary art scene, consolidating the fair as a catalyst for cultural relations, an observatory of emerging trends, and an international reference point for the Spanish art scene.

WELCOME TO ART MADRID'26