Art Madrid'26 – Luis Miguel Rico – C2.14 (2025)

Luis Miguel Rico | C2.14

Luis Miguel Rico

C2.14, 2025

Lino, tinta, madera de roble y cristal

50 x 35.5 cm

CLC ARTE

Valencia, España

Programa general A1

Contact

about Luis Miguel Rico

Toledo, 1981

My workshop is full of materials that are familiar to all of us for their use in the field of Fine Arts, among which I highlight papers that I dye beforehand for their subsequent manipulation. All of them, randomly presented on my work table, add to my problem of composition, which I try to solve directly on the support of the work. In the act of composing, for me it is essential that those materials I use and arrange on the surface, connect and come to have a unitary sense, giving rise in turn during the creative process to the non-renunciation of my work as a playful way for the creation and production of my works.

Parallel to my collage work, I present a series of works where I use exclusively the medium of painting. With them, I generate a series of forms, which maintain a certain link with my collage structures. I use stains of broken colors and other more saturated colors where the density of the paint itself, more or less liquid, also plays an important role. "

Luis Miguel Rico 's works

Luis Miguel Rico | C2.10

Luis Miguel Rico

C2.10, 2025

Lino, tinta, madera de roble y cristal

50 x 35.5 cm

Luis Miguel Rico | C2.16

Luis Miguel Rico

C2.16, 2025

Lino, tinta, madera de roble y cristal

50 x 35.5 cm

Luis Miguel Rico | C2.14 (variante)

Luis Miguel Rico

C2.14 (variante), 2025

Lino, tinta, madera de roble y cristal

50 x 35.5 cm

Luis Miguel Rico | C2.6

Luis Miguel Rico

C2.6, 2025

Lino, tinta, madera de roble y cristal

50 x 35.5 cm

Featured works

Carmen Mansilla | Riverside

Carmen Mansilla

Riverside, 2025

Óleo y lápiz sobre lino

50 x 50 cm

Dave Cooper | Creamsicle 2

Dave Cooper

Creamsicle 2, 2023

Óleo sobre lienzo

71 x 71 cm

Fabian Treiber | You Wouldn’t Believe, What I’ve Been Through

Fabian Treiber

You Wouldn’t Believe, What I’ve Been Through, 2025

Acrílico, tinta, pastel al óleo, pastel y papel sobre lienzo

170 x 180 cm

Joost Vandebrug | 25-29

Joost Vandebrug

25-29, 2025

Transferencias de emulsión fotográfica sobre papel morera

135 x 100 cm

Lorenzo Fernández | Justicia

Lorenzo Fernández

Justicia, 2023

Óleo y acrílico sobre aluminio

120 x 120 cm

Maxim Wakultschik | Life doesn’t frighten me

Maxim Wakultschik

Life doesn’t frighten me, 2025

Colored wooden sticks

35 x 26 x 8.6 cm

Sergio de la Flora | Nihonzaru

Sergio de la Flora

Nihonzaru, 2023

Óleo sobre resina y madera

50 x 50 cm

Steen Ipsen | Ellipse 19

Steen Ipsen

Ellipse 19, 2022

Cerámica esmaltada en negro y PVC amarillo

43 x 42 x 45 cm

Tadanori Yamaguchi | Ramas en blanco

Tadanori Yamaguchi

Ramas en blanco, 2017

Mármol blanco

70 x 70 x 20 cm

Xavi Noble | What lies beneath

Xavi Noble

What lies beneath, 2025

Acrílico y spray sobre tela

120 x 100 cm

Ana Monsó | Después del silencio 7

Ana Monsó

Después del silencio 7, 2025

Acrílico y tinta sobre lienzo

187 x 157 cm

CHIU Huai-Hsuan | Read After Cutting 30

CHIU Huai-Hsuan

Read After Cutting 30, 2025

Various types of wood, metal, gear, motor

43.1 x 30.6 x 9.5 cm

Crystal Lupa | One Hundred Years of Solitude

Crystal Lupa

One Hundred Years of Solitude, 2023

Oil on linen folding screen

168 x 189 x 3.2 cm

DIMASLA (Diana + Álvaro) | Sobre los márgenes del cielo

DIMASLA (Diana + Álvaro)

Sobre los márgenes del cielo, 2024

Polvo de cemento en suspensión, lluvia, sol, viento, polen de tomillo y romero sobre acrílico en tela de algodón natural cosida, expuesta sobre suelo de arcilla calcáreo durante cuatro meses

130 x 162 cm