Art Madrid'26 – INTERVIEW WITH LUIS MIGUEL RICO

Luis Miguel Rico

“My workshop is full of materials that are familiar to all of us due to their use in the field of Fine Arts, among which I highlight papers that I dye previously for later manipulation. All of them, appear randomly on my work table, add to my problems of composition, which I try to solve directly on the support of the work.

In this act of composing, for me it is essential that those materials that I use and arrange on the surface, connect and come to have a unitary meaning, giving rise during the creative process to the non-renunciation of my work as a playful way for the creation and production of my works. Parallel to my collage work, I present a series of works where I exclusively use the medium of painting. With them, I generate a series of forms, which maintain a certain link with my collage structures. I use spots of broken colors and other more saturated colors where the density of the paint, more or less liquid, also plays an important role”

These stain structures are simple in outline and try to have a spatial sense close to the work that I create with my work on paper; superposition of planes, whose form is integrated on top of the previous one, or not, allowing the viewer to understand the different work processes that the creation of each of the works goes through.

Luis Miguel Rico

ST, 2022

Oleo sobre lienzo

150 x 114cm

Interview:

What inspires you when you create?

When I create, I am inspired by any element that gives me strength in color, for example a sunset, a walk along the seashore or nature itself. When the whole issue of confinement happened to us, I was out in the street again, I am lucky to live near the countryside and I saw the blooming of spring, that strength, those colors, the shapes that reached me much more.


¿En qué has estado trabajando recientemente?

Recientemente he estado trabajando en composiciones partiendo de la base del collage, que son abstracciones geométricas, siempre ligadas un poco a la naturaleza y a la forma orgánica, y sobre todo la superposiciones de planos, unos más quebrados otros más saturados, buscando siempre la composición armónica.

Luis Miguel Rico

Sin título, 2021

Oil on canvas

150 x 120cm

What have you been working on recently?

Recently I have been working on compositions based on collage, which are geometric abstractions, always linked to nature and organic form, and especially the overlapping of planes, some more broken, others more saturated, always looking for a harmonious composition.


What do you expect from your participation in Art Madrid?

From my participation in Art Madrid I hope to make myself known to a wider and more specialized public, deal with other artists and generate some kind of synergy with them, maybe some collaboration and enjoy the experience.

Luis Miguel Rico

ST, 2022

Oleo sobre lienzo

150 x 120cm

How did you come to this type of work?

Through experimenting with different materials and supports, ideas came up, sometimes I put them aside and other times I took them as good, and other times what I had discarded at the end have come back again and I'm applying it again.


What do you intend to convey with your work?

When I see a work of art I feel a lot of emotion, in the end the good thing about the artist is that he is able to transfer the emotion to a pictorial work, or whatever it is. So from my humble state, I try to transmit part of what I feel, when creating a work, to the viewer.


Luis Miguel Rico participates at Art Madrid with Gärna Gallery, alongside with Fernando de Ana, Hayden Rearik, Lucia Gorostegui y Lars Zech



ABIERTO INFINITO. LO QUE EL CUERPO RECUERDA. PERFORMANCE CYCLE X ART MADRID'26


Art Madrid, committed to creating a discursive platform for artists working within the field of performance and action art, presents Abierto Infinito: lo que el cuerpo recuerda, a proposal inspired by Erving Goffman’s ideas in The Presentation of Self in Everyday Life (Amorrortu Editores, Buenos Aires, 1997).

The project unfolds within a theoretical framework that directly engages with these premises, conceiving social interaction as a stage of carefully modulated performances designed to influence others’ perceptions. Goffman argues that individuals deploy both verbal and involuntary expressions to guide the interpretation of their behavior, sustaining roles and façades that define the situation for those who observe.

The body — the first territory of all representation — precedes both word and learned gesture. Human experience, conscious and unconscious alike, is inscribed within it. Abierto Infinito: lo que el cuerpo recuerda departs from this premise: representation inhabits existence itself, and life, understood as a succession of representations, transforms the body into a space of constant negotiation over who we are. In this passage, boundaries blur; the individual opens toward the collective, and the ephemeral acquires symbolic dimension. By inhabiting this interstice, performance simultaneously reveals the fragility of identity and the strength that emerges from encounter with others.


PERFORMANCE: ALTA FACTURA. BY COLECTIVO LA BURRA NEGRA

March 4 | 7:00 PM. Galería de Cristal of the Palacio de Cibeles.


"Discipline for Power.” Performance by La Burra Negra for Displacement of the Congress of Deputies by Roger Bernat. 2025.


Alta Factura subverts the conventional structure of the fashion runway to foreground the often-invisible processes that underpin artistic production. Through a series of conceptual textile works, the performance draws attention to the discipline of craft and the artist’s vulnerability, ultimately revealing those seams typically consigned to the margins, behind the scenes.


Colectivo La Burra Negra.


ABOUT EL COLECTIVO LA BURRA NEGRA

La Burra Negra is a nomadic performance art collective based in Málaga, founded in 2024 following its first residency in Totalán. The group is self-managed by Ascensión Soto Fernández, Gabriela Feldman de la Rocha, Sasha Camila Falcke, Sara Gema Domínguez Castillo, Sofía Barco Sánchez, and Regina Lagos González—six artists from diverse backgrounds and trajectories who met at the Hospital de Artistas at La Juan Gallery.

The collective brings together practitioners working across jewelry, painting, the performing arts, music, dance, cultural mediation, and arts management. Its activities include an annual residency in Totalán, the production of performative works, cultural mediation initiatives, and site-responsive interventions.

Since its inception, the collective has participated in the Periscopio series at La Térmica; presented A granel at the MVA in Málaga; carried out a number of actions in Totalán—the most recent during its second annual residency—and contributed its own proposals to the performance Displacement of the Congress of Deputies by Roger Bernat in Madrid.

At the core of La Burra Negra lies a commitment to collective creation and the exchange of knowledge. United in their effort to experiment with and disseminate performance art, the group explores the invisible dimensions of artistic labor—its temporalities, efforts, and relational dynamics, which so often remain unseen—as a form of critical affirmation.

Their practice emerges from dialogue and shared reflection, in the pursuit of decentralized spaces where art can be experienced and its processes made visible. Each residency and each action becomes an attempt to inhabit creation collectively, challenging conditions of precarity while fostering networks of care and collaboration that sustain both their own practice and that of those around them.