The artists and their works move narrative discourses presented before us with an expansive effect. Although inhabiting a geographical space, belonging to a specific social class, and having specialized training... are factors that define their work. Others, uncontrollable by the hand of flesh and blood, can change their perspective on life forever. This is precisely what happens with the creators who come to Art Madrid from further away, and we would say, those who have ventured across from the other side of the sea:

Ana Margarita Ramirez, Selva Blanca (2022) Galería Luisa Pita ©

Adrián Socorro, Matanzas, (Cuba), 1979. Collage Habana; Ana Margarita Ramírez, Caracas, (Venezuela), 1974. Galería Luisa Pita; David Planas, San Antonio De Los Baños, La Habana, (Cuba), 1976. Galería Luisa Pita; Evangelina Esparza, Rosario, (Argentina), 1980. DDR. Art Gallery; Fabio Camarotta, Buenos Aires, (Argentina), 1969. Art Lounge Gallery; Gustavo Díaz Sosa, Sagua La Grande, (Cuba), 1983. Galería BAT Alberto cornejo; Isabel Ruiz, Montevideo, (Uruguay), 1959. Nuno Sacramento Arte Contemporânea; Isabela Puga, Caracas, (Venezuela), 1997. Galería BAT Alberto cornejo; Marlene Stamm, Vacaria, São Paulo, (Brasil), 1961. Trema arte contemporânea; Mono Cieza, Argentina, 1969. Fousion Gallery. Roger Sanguino, Maracay, Venezuela, 1968. DDR. Art Gallery; Roldán Lauzán Eiras, La Habana, (Cuba), 1987. Collage Habana; Willy Ramos, Pueblo Bello, (Colombia), 1954. Galería Espiral; Yasiel Elizagaray, Sancti Spíritus, (Cuba), 1987. Collage Habana.

Adrián Socorro, “Flor” 2022. Collage Habana ©

A fair is, as you know, a window to the art market and a springboard for the thoughts and actions of those dedicated to creation. Art Madrid is. It is window and mirror. It is the regular appointment in which galleries and artists contribute and place their vision and interaction with the production of meanings in the hands of the public. Photography, drawing, painting, and sculpture are the most present manifestations in this edition. Discursively, they would come to answer that much-discussed question of what is art and what is not. But this time, the questioning is directed by the constant search for a polyphonic feeling, which brings together voices as different as they are authentic, around the figure of the artist who moves, who provides and directs the work in the movement. Whether in a temporary or permanent stay, the action of movement and migration as casuistry forever surround the exercise of creation.

As an art fair, we are interested in setting our sights on the production built from Latin America and the Caribbean, which has taken root in some way in our context. With increasing flow, artists such as those mentioned above move to other territories looking for other forms of life, and other experiences, thus articulating scenarios that give meaning to the messages that their works are capable of transmitting. Whether in an obvious way or permeated by some lyrical, poetic veil, raising the flags of denunciation or the activation of suspicion, they recount the impact that the change experience has left on their vision of the world. At this time, as the theoretician Néstor García Canclini would say, post and multi, more or less sophisticated repetition does not transcend. Attention is deserved by those positions that underline the differences and critically assess the uncertainty of postmodernity.

Isabel Ruiz, “Caída de agua” 2019. Nuno Sacramento arte contemporanea©

We ask ourselves, then, if the placidity of a landscape, the expansion of painting as a critical exercise, the rebuke of individuality, the struggle to build one's own space, and the polyphony of identity, which are, in this framework, an extension of Latin America and the Caribbean should speak from a single place. We think not. We dream of the possibility of being not only a mirror of current events but also a window of access to questioning. To be, above all, the right place for artists who allow themselves to take risks, venture out, and originate the birth of a fertile change in the land in which they reap their legacy.

At the most recent edition of Art Madrid, artist Luis Olaso (Bilbao, 1986), represented by Kur Art Gallery (San Sebastián), received the Residency Prize of the Art Madrid Patronage Program. This award, the result of a collaboration between Art Madrid, DOM Art Residence, and the Italian association ExtrArtis, enabled him to undertake an artistic residency in Sorrento (Italy) in August 2025.

Through initiatives like this, the fair reaffirms its support for contemporary creation—a commitment aimed at increasing artists’ visibility and strengthening art collecting through concrete actions such as acquisition prizes, recognition of emerging talents, and international residencies.

Artists in Residence. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.

The DOM & ExtrArtis 2025 Residency Program took place in Sorrento from August 1 to 31, 2025. The artists lived together at Relais La Rupe, a 16th-century villa surrounded by cliffs and centuries-old gardens, which became an ideal setting for experimentation and exchange.

In this edition, residents worked around the theme “Reimagining Genius Loci”, an invitation to reflect on how the movement of people and traditions transforms the “spirit of place.” During the residency, DOM organized two public group exhibitions: the first to present the artists’ previous work, and the second to showcase the projects developed in Sorrento.

Work by Luis Olaso. DOM & ExtrArtis. Image courtesy of Agata D’Esposito.

Luis Olaso’s work moves between expressionist figuration and abstraction, always employing a pictorial language charged with strength and emotion. Initially self-taught, he later graduated in Fine Arts and has developed a solid international career, with exhibitions at venues including JD Malat (London) and Makasiini Contemporary (Turku, Finland), and participation in fairs such as Untitled Miami, Estampa, and Art Madrid itself.

His work is part of prestigious collections, including the Tokyo Contemporary Art Foundation, Fundación SIMCO, and the Provincial Council of Bizkaia, and has been recognized in competitions such as the Reina Sofía Prize for Painting and Sculpture and the Ibercaja Young Painting Prize.

In Sorrento, Olaso found a unique context to expand his pictorial research, engaging in dialogue with the Mediterranean landscape and the region’s historical heritage. The residency provided him with time, resources, and a framework for exchange with other international artists, fostering the production of new works that were later presented in the group exhibitions organized by DOM.

Luis Olaso working on his project. DOM & ExtrArtis. Image courtesy of DOM.

Luis Olaso’s experience at DOM Art Residence concluded with a public showcase of the works produced, reinforcing his presence on the international circuit and consolidating his position as one of the most prominent Basque artists on the contemporary scene.

Through initiatives such as this, Art Madrid demonstrates its active role as a platform for direct support of contemporary creation, creating opportunities for research, production, and intercultural dialogue that extend beyond the fair itself and accompany artists in their professional development.